Zucker discusses the concept of 'breaking the frame' in comedy, where characters acknowledge the audience, creating a unique comedic effect. He references Mel Brooks and classic examples from his own films, illustrating how this technique engages viewers and enhances humor. This segment delves into the mechanics of comedy writing and audience interaction.
"people somehow still like me. So, a a lot of people say, "What happened to you?" you know. So, but uh I I just have my own way going about things and it's not I don't want to do either what I've done before or what everybody else is doing. That's not, you know, so that's what a real artist would say. That's what a real artist real artist doesn't care. David, you sense that I'm an important artist? Yeah, exactly. Finally, we're here with an important artist, everybody. That's right. In Los Angeles, even if I have to remind everyone, an artist who doesn't care. I know. Yeah, I don't care. But I do care about the course. Yes. You care about the course. Care about the course. mastercrash.com. Yes. Mastercrash.com. And breaking the frame. Yeah. Breaking the frame. You know, it's just like there is a certain suspension of disbelief as they say in movies and you have to believe that what's happening is really happening and not just a movie. So, uh, when you break the frame, you're reminding the audience that it's, oh, it's just a movie. And I think that, uh, Mel Brooks does a lot,"

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