
85 segments available
Skye Fitzgerald is a two-time Oscar-nominated documentary filmmaker, his films include Hunger Ward, Lifeboat, and 50 Feet from Syria. Please support this podcast by checking out our sponsors: - Notion: https://notion.com/startups to get up to $1000 off team plan - Mizzen+Main: https://mizzenandmain.com and use code LEX to get $35 off - BetterHelp: https://betterhelp.com/lex to get 10% off - Onnit: https://lexfridman.com/onnit to get up to 10% off - Eight Sleep: https://www.eightsleep.com/lex and use code LEX to get special savings EPISODE LINKS: Skye's Twitter: https://twitter.com/spin_film Skye's Instagram: https://instagram.com/spin_film Hunger Ward (movie): https://hungerward.org Lifeboat (movie): https://lifeboatdocumentary.com 50 Feet from Syria (movie): https://50feetfromsyria.com PODCAST INFO: Podcast website: https://lexfridman.com/podcast Apple Podcasts: https://apple.co/2lwqZIr Spotify: https://spoti.fi/2nEwCF8 RSS: https://lexfridman.com/feed/podcast/ Full episodes playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 Clips playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOeciFP3CBCIEElOJeitOr41 OUTLINE: 0:00 - Introduction 1:00 - World hunger 7:03 - Hunger Ward 29:30 - Language 34:41 - Famine 45:25 - Authoritarianism 51:53 - Storytelling 1:05:27 - Access 1:09:50 - Trust 1:13:32 - Film equipment 1:18:18 - Editing 1:24:47 - Filmmaking 1:37:46 - Favorite Films 1:48:54 - Lifeboat 1:56:19 - Breaking rules 1:59:14 - Fear 2:02:53 - 50 feet from Syria 2:07:50 - Money and distribution 2:15:28 - Advice for young people 2:18:33 - Books 2:20:27 - Darkest moments 2:24:58 - Meaning of life 2:26:56 - Mortality SOCIAL: - Twitter: https://twitter.com/lexfridman - LinkedIn: https://www.linkedin.com/in/lexfridman - Facebook: https://www.facebook.com/lexfridman - Instagram: https://www.instagram.com/lexfridman - Medium: https://medium.com/@lexfridman - Reddit: https://reddit.com/r/lexfridman - Support on Patreon: https://www.patreon.com/lexfridman
Skye Fitzgerald shares a harrowing moment from his documentary work, where he faced the choice of filming a drowning person or saving them. This segment sets the stage for a deeper discussion on the moral responsibilities of documentary filmmakers in the face of human suffering.
"we would come up to these rafts and these boats that were in really dire shape and people would be pushed off and people would jump off and people would fall into the water and um some of them couldn'..."
Fitzgerald discusses the staggering statistics of global hunger, highlighting that 811 million people are hungry and 45 million are on the brink of famine. He reflects on the disturbing reality that many of these individuals suffer due to war and intentional starvation tactics by leaders.
"nearly 811 million people worldwide are hungry today and 45 million people are on the edge of famine across 43 countries how do you feel how do you make sense of that many people suffering from hunger..."
In this segment, Fitzgerald emphasizes the use of starvation as a weapon of war, referencing international laws that prohibit such actions. He expresses his disgust at the ongoing enforcement of starvation tactics in conflicts like Yemen and Ukraine, underscoring the moral implications of these actions.
"you know your history um and we all know that you know deeply embedded in the geneva conventions post world war ii the intent of one of those articles was to ban the use of starvation as a weapon of w..."
Fitzgerald reflects on the importance of empathy in understanding hunger and homelessness. He shares his personal experience of fasting for three days, contrasting it with the hopelessness faced by those who suffer from chronic hunger, emphasizing the need for a deeper societal understanding of these issues.
"i sitting here didn't eat for three days um and had to you know lay our head on the sidewalk for a couple nights i think we would take you know hunger and homelessness a lot more seriously and i think..."
Fitzgerald discusses the necessity of aggressive humanitarian intervention and political accountability to alleviate suffering caused by war. He stresses the importance of holding leaders responsible for their actions that lead to starvation and suffering.
"own ability to eat and survive but your families if there's loved ones that's the other thing i don't have i'm single so i feel like the worst suffering is watching somebody you love that you're suppo..."
Fitzgerald shares a poignant story from his film 'Hunger Ward,' detailing the tragic fate of a newborn child affected by starvation due to the war in Yemen. He highlights the devastating consequences of war on innocent lives, particularly children, and the systemic issues that perpetuate this suffering.
"for their actions so the leaders that start the war so you when you say we have to speak up about the the decisions and the humans making those decisions yeah that lead to the stuff for example let's ..."
In this segment, Fitzgerald calls for accountability from those responsible for the starvation of children in conflict zones. He discusses the complexities of international politics and the challenges of enforcing humanitarian laws against powerful actors.
"you know she was not starving she her mother was being starved right because of the blockade over the country now who instituted that blockade mbs in saudi arabia with the reinforcement and sort of ta..."
Fitzgerald provides insight into the ongoing conflict in Yemen, explaining the asymmetrical nature of the war and the roles of various actors, including Saudi Arabia and the Houthis. He emphasizes the need for a nuanced understanding of the situation rather than a simplistic good vs. evil narrative.
"for a documentary can you please tell me what hunger ward the last hope between war and starvation is about hunger ward is a short documentary that really is an attempt to illustrate the effects of uh..."
Fitzgerald discusses the narratives used by different parties in the Yemen conflict, particularly the Saudi narrative that frames the Houthis as illegitimate. He critiques the oversimplification of complex geopolitical issues and the importance of understanding the underlying truths.
"who are the bad guys now the world unfortunately cannot be painted in black and white of good guys and bad guys but for the purpose of conversation who is um doing causing suffering in the world in th..."
Fitzgerald elaborates on the role of Mohammed bin Salman (MBS) in the Yemen conflict, describing him as a key figure responsible for the suffering caused by the war. He reflects on the broader implications of leadership decisions in global conflicts.
"by air that the saudis use continuously to pummel northern yemen um when i was there uh the the sheer volume of air strikes is is hard to describe and we show the result of only one in the film really..."
Fitzgerald identifies three leaders, including MBS, Assad, and Putin, as significant contributors to global suffering. He discusses the moral complexities of understanding their motivations while condemning their actions.
"know is not the rule of saudi arabia he is he's the crown prince and sorry to interrupt often but who is he as a man what's your sense of yeah so you know i've never met him and i i likely will never ..."
In this segment, Fitzgerald explores the challenge of empathizing with leaders who commit atrocities. He reflects on the necessity of understanding their perspectives while maintaining a critical stance on their actions.
"beyond imagining on mbs are you able to think as a documentary filmmaker as a human being as a scholar as a thinker with an open mind about a man like that who does evil onto the world and what that m..."
Fitzgerald discusses the thematic focus of his documentary 'Hunger Ward,' emphasizing the search for hope amidst despair. He highlights the stories of caregivers in Yemen who strive to save children from starvation, showcasing human resilience in the face of adversity.
"from afar right and and after i go through that process i still don't think there's any way that one can justify what they've done we're going to talk about each of those people for sure well i'm not ..."
Fitzgerald shares how 'Hunger Ward' aims to illustrate the resilience of individuals working to combat starvation in Yemen. He highlights the inspiring stories of healthcare workers dedicated to saving lives despite overwhelming challenges.
"people a lot of times will ask me if they've seen hunger ward you know um they asked where the hope is right you you read the byline earlier the last hope and what i try to focus on in in many of my f..."
Fitzgerald presents alarming statistics about child mortality in Yemen, emphasizing the urgency of the humanitarian crisis. He reflects on the emotional toll of witnessing such suffering and the importance of focusing on individual stories to combat feelings of helplessness.
"to save a child i mean in my view nothing is more important than that action maybe on that point real quick so there is suffering at scale starvation at scale there's i mean the numbers um maybe you c..."
Fitzgerald discusses the approach of healthcare providers in Yemen who treat patients regardless of their resources. He emphasizes the importance of personal connections in healthcare and the dedication of those working to alleviate suffering.
"i i think i'd be overwhelmed right if i focused on that scale you know you've probably heard that you know a child dies every 75 seconds in yemen from hunger right so we've been sitting here how long ..."
Fitzgerald opens up about the psychological toll of filming in a malnutrition clinic, including witnessing a child die from starvation. He reflects on the responsibility he felt to accurately portray this reality and the emotional weight of documenting such tragic events, emphasizing the importance of storytelling in raising awareness about the ongoing crisis.
"makia for example i saw her in the north of the country it's an incredibly rural clinic that she works at so so it's like a magnet for all the cases in the north of the country people come from hundre..."
As Fitzgerald recounts his experiences filming 'Hunger Ward,' he discusses the challenges of maintaining mindfulness about the privilege of access to food while surrounded by suffering. He reflects on how this awareness shaped his approach to storytelling and deepened his appreciation for the resilience of those affected by famine.
"bring back to uh a western audience and and you know i i i've filmed many difficult things over the years and um usually i really love filming and i didn't love filming hunker ward it was not a a proc..."
Fitzgerald shares how each documentary he creates transforms him as a person. He recounts a poignant moment with a young girl named Omama, whose journey from severe malnutrition to recovery inspired him. This experience reinforced his belief in the capacity for compassion and goodness, even in the most challenging circumstances.
"over a long period of time children lost the ability to eat normal food right and couldn't digest it and just you know were literally starving and the the practitioners were trying to bring them back ..."
Fitzgerald discusses the importance of understanding the cultural nuances of suffering while filming. He emphasizes that compassion transcends language barriers and that visual storytelling can convey universal emotions. He reflects on the relationships formed through shared experiences of pain and resilience, highlighting the power of human connection.
"like i am not static in that sense right and preformed it's just like i change with every project because so many of them are difficult and challenging right and so in order to do them i have to allow..."
Fitzgerald draws parallels between current famines and historical events, such as the Holodomor in Ukraine. He discusses how many famines are politically manufactured and the need for accountability from leaders who use starvation as a weapon. This segment underscores the importance of recognizing and addressing the systemic causes of famine.
"omama that capacity for compassion is there even within a ten-year-old girl who's starving right and so so you asked what changed me um that's one moment right i i rather than being crushed by such he..."
Fitzgerald reflects on the slow, insidious process of starvation and the challenges of capturing this reality on film. He discusses the fundamental nature of hunger and its impact on human life, emphasizing the need for creative approaches to convey the urgency and gravity of the situation faced by those suffering from malnutrition.
"just and and then you to really understand it you have to know the language so i guess i'm asking were you able to really feel the humans on the other side of the language i'd like to think so i mean ..."
Skye Fitzgerald discusses the purpose of international humanitarian law and its failure to prevent famines used as weapons in conflicts like those in Ukraine and Yemen. He emphasizes the need for the global community to hold accountable those responsible for these crises and expresses hope for increased attention to humanitarian issues.
"country and um you know we built international humanitarian law for a reason right many years ago and it continues to be written to this day and it's there to prevent what's happening in ukraine right..."
Fitzgerald reflects on the slow and insidious process of starvation, likening it to a quiet suffering that overtakes individuals. He shares his creative challenges in depicting starvation in his film 'Hunger Ward' and highlights the dynamic nature of the situations he encountered while filming.
"there are certain kinds of things that captivate the global attention and it seems like starvation is not always one of them for some reason murder and destruction gets people attention more it's the ..."
In a poignant moment, Fitzgerald discusses the use of gallows humor as a coping mechanism for those facing extreme suffering. He reflects on how humor can help individuals deal with the harsh realities of life, even in the face of starvation and loss.
"and so i i really before i filmed hunger ward i i struggled to sort of answer how we could creatively approach that because you know someone sitting in a clinic right starving or being treated for sta..."
Fitzgerald shares his thoughts on the humanitarian crisis resulting from the war in Ukraine, emphasizing the displacement of millions and the long-term global implications. He connects this crisis to his previous work on displacement due to war and highlights the urgent need for action.
"with it i mean i see this all the time like when you're struggling you can't feed your family you lost your home the last thing you have is jokes about humor yes humans it's like the fucking man fucke..."
Fitzgerald critiques the missed opportunities for military intervention in Syria to prevent civilian casualties. He argues that military power should be used not just for defense but also to protect vulnerable populations, raising questions about the moral responsibilities of global leaders.
"there's that that's gonna set up a whole nother strain on sort of the the global sort of resources that that come into play to deal with refugees you know there were 79 million displaced people on thi..."
The discussion shifts to the complexities of military intervention and the ethical dilemmas faced by leaders. Fitzgerald emphasizes the difficulty of determining when intervention is justified and the consequences of inaction in situations like Yemen.
"think that's what a military ought to be used for beyond just defending our borders is to is to save others with the privilege that that power affords what do you think about the power of the military..."
Fitzgerald reflects on the pervasive nature of authoritarian regimes and the narratives that surround them. He discusses the challenges of addressing suffering under such regimes and the potential roles of military action, diplomacy, and sanctions.
"that blockade now there's a two-month ceasefire in place now but remains lifted beyond the ceasefire and children will stop starving that's pretty simple you can trace it's a direct connection and we ..."
Fitzgerald critiques the lack of accountability for authoritarian leaders, using the example of MBS and the Khashoggi murder. He argues for concrete actions that leaders can take to uphold moral standards and challenge unacceptable behavior.
"suffering there what do we do to lessen the suffering of the people under authoritarian regimes again the same question military conflict diplomacy sanctions all those kinds of things uh is does that ..."
In this segment, Fitzgerald discusses the effectiveness of individual sanctions against authoritarian leaders. He emphasizes the importance of making these sanctions concrete and personal to create real consequences for those in power.
"doing it in the way i wish you were he certainly has taken a different stand on ukraine um you know and been very vocal but there's so many instances we could talk about where i feel like um the the p..."
Fitzgerald shares his approach to selecting stories to tell through film, emphasizing the importance of addressing pressing humanitarian issues. He reflects on the responsibility of filmmakers to raise awareness and mobilize resources for those suffering around the world.
"authoritarian regimes yes right there there are individuals have so much power exactly right so you know um you know if putin is is you know put on trial in the hague at some point or at least there's..."
Fitzgerald reflects on his unconventional approach to filmmaking, preferring a 'gorilla shooting' style that allows for spontaneity and authenticity. He discusses the importance of capturing raw, intimate moments without the interference of extensive equipment or planning, highlighting how this method can lead to powerful storytelling.
"and help people understand the impact that these geopolitical decisions have on real people's lives and that's the that that's the intent i create each film with now how i choose each story that's the..."
In this segment, Fitzgerald explains the critical role of access in documentary filmmaking. He shares how gaining access to sensitive environments, like hospitals in Yemen, requires building trust and maintaining a small crew to capture genuine moments of human suffering. This logistical and creative challenge shapes how he films and tells stories.
"top top three yeah i love the humor throughout this i really i really appreciate it it's making we're talking about such dark topics it resets the mind in a way that allows me to think so thank you as..."
Fitzgerald elaborates on the techniques he uses to capture vulnerable moments in his films. He discusses the importance of being unobtrusive and using the right equipment to film intimate scenes without disrupting the natural flow of life. This approach allows him to document the raw emotions and realities faced by individuals in crisis.
"keep like uh p people tell me there's the right way to do stuff like here's these giant cases with all kinds of padding for transporting stuff i transport most of the equipment in a garbage bag yeah s..."
Fitzgerald shares insights into the journey of gaining access to stories, emphasizing the importance of relationships and persistence. He recounts personal experiences that led to significant access opportunities, illustrating how being open and curious can lead to profound storytelling moments.
"can zoom lens it's not a prime lens so it's not a fixed focal length right because a fixed focal length you have to move a lot more in order to capture action with with a zoom lens um you know maybe a..."
In this segment, Fitzgerald reflects on how his experiences in difficult environments shape his perspective and storytelling. He discusses the privilege of living in the U.S. and the responsibility that comes with it, motivating him to tell impactful stories that highlight human suffering and resilience.
"know talking about some of these leaders and conversations with them it's almost like staring your life into the direction of the difficult of like taking the leap and uh if you're a good human being ..."
Fitzgerald recounts a serendipitous encounter with a Syrian-American doctor that led to access for his film '50 Feet from Syria.' He emphasizes the importance of being open to unexpected opportunities and how personal connections can lead to significant storytelling experiences.
"want to do is start you know doing stories about dandelions right there's far more important things to do on this very limited time that i have on the planet and you know i think that that um that's c..."
Fitzgerald discusses the qualities that have contributed to his success as a filmmaker, particularly persistence and tenacity. He shares his philosophy of incremental evolution, where each project serves as a learning experience that enhances his craft and storytelling abilities.
"you but it came out of this interesting moment very personal moment right lifeboat and hunger ward were completely different um and i had to really work hard to gain access to those stories so you int..."
In this segment, Fitzgerald explores the distinction between journalism and documentary filmmaking, emphasizing the importance of trust and collaboration. He discusses how he views the people he films as collaborators rather than subjects, fostering a relationship built on transparency and active consent.
"film the next time how do you gain people's trust like for example there's a line between journalists and documentary filmmakers nobody really trusts journalists but a documentary filmmaker of course ..."
In this segment, Fitzgerald shares his perspective on the technical aspects of filmmaking, including cameras and lighting. He emphasizes the importance of using the best tools available within logistical constraints, while also prioritizing storytelling over technical perfection. Fitzgerald believes that natural light is the best lighting instrument for capturing authentic moments.
"not a tech geek um but because during the bulk of my career i um i've worked as a director of photography myself for other people in order to pay the bills over the years um you know i know the techni..."
Fitzgerald discusses the editing process and how it shapes the final narrative of a documentary. He introduces his concept of the 'three creations'—the initial vision, the adaptation during filming, and the final vision during editing. This iterative process allows him to discover new stories and insights from the footage.
"and nimble yeah and uh what about lighting do you usually use natural light do you ever do i mean sorry for the technical questions here but um highlighting the drama of the human face yeah uh that's ..."
In this segment, Fitzgerald explains how reviewing footage leads to new discoveries and insights about the story. He describes the importance of patience and resilience during the editing process, as breakthroughs often come after thorough analysis of the material. This phase is crucial for transforming the initial vision into a cohesive narrative.
"so just just so you know this room uh is is like a violation of the basic principles of of using the sun so behind the large curtains are giant windows yeah so this whole should i rip them open [Laugh..."
Fitzgerald draws parallels between the creative process of filmmaking and scientific inquiry. He discusses how he formulates a creative hypothesis before filming and tests it against the reality of the footage. This approach requires flexibility and openness to adapt the narrative based on what the data reveals.
"us filming most of the time i haven't seen all the footage because in the field it's all about just filming right and then just transferring the footage and getting on safely you know clone to multipl..."
Fitzgerald shares insights on the editing journey, highlighting the incremental nature of refining a film. He acknowledges that there are moments when the assembled footage may not resonate, but emphasizes the importance of patience and resilience in finding the right fit for the story. This segment underscores the iterative nature of the editing process.
"creations for me that's so cool to to know what we have uh just to lay it all out and to load it in into your mind yeah because like this is the capture of reality we have it's a very kind of scientif..."
Fitzgerald offers valuable advice for young filmmakers, stressing the importance of mastering the craft of storytelling. He emphasizes that understanding both the technical and narrative aspects of filmmaking is essential for creating powerful stories that resonate with audiences.
"or do you is it always like an incremental step towards better and better it's incremental yeah it's incremental yeah and there's always some moment in the editing process where there's a breakthrough..."
In this segment, Fitzgerald reflects on his journey from theater to filmmaking. He shares how his background in theater influenced his storytelling approach and how he discovered his passion for directing. Fitzgerald discusses the challenges he faced in transitioning to film and the importance of imagination in shaping narratives.
"and sorry to interrupt but when you say craft do you mean just the raw technical the director of photography like the filming aspect is it the storytelling is the acts is the whole thing i think craft..."
Fitzgerald recounts his early experiences in filmmaking, including shooting local commercials and working on projects while freelancing. He emphasizes the value of hands-on experience and learning on the job, which helped him develop his technical skills and storytelling abilities.
"right to shape story to shape narrative to shape performances so i think it was a much more natural fit for me was i excellent at the beginning heck no no you know i think few people are but i learned..."
Fitzgerald discusses the advantages of working in a small team for documentary filmmaking. He explains how having a partner allows for more footage to be captured and enables the director to focus on storytelling and building relationships, rather than just operating the camera. This segment highlights the balance between technical work and creative storytelling.
"couple i did a couple voyages around the world for this group called semester at sea that has a floating university that where they go out three and a half months at a time with the with about 500 col..."
In this segment, Fitzgerald reflects on the nuances of storytelling in documentary filmmaking. He discusses the importance of shaping narratives while remaining true to the reality being captured. Fitzgerald emphasizes the ethical considerations of fairness and consent in documentary work, illustrating how these principles guide his filmmaking process.
"completely different different endeavor altogether but doing it yourself what do you think about that even though you i you have that trillion dollars oh i have that trillion dollars against write tha..."
Fitzgerald recounts a pivotal moment during the filming of 'Lifeboat' where he had to choose between filming a drowning person or intervening to save them. He reflects on how this experience shifted his perspective on the role of a filmmaker, prioritizing human connection and ethical responsibility over strict observational filmmaking.
"found is that by having another human being i'm filming with who i'm co-shooting with it frees me up as a director to not always have to be shooting either i can do all the other work to build relatio..."
Continuing the discussion on intervention, Fitzgerald explores the tension between being a passive observer and an active participant in documentary filmmaking. He shares insights on how filmmakers can navigate this balance while maintaining authenticity and integrity in their storytelling.
"was a single human being who created that film with with um with a collaborator or subject so it can be done it's just not how i work best yeah how much personally with the other person how important ..."
Fitzgerald elaborates on the concept of consent in documentary filmmaking, emphasizing the need for genuine understanding and trust between the filmmaker and subjects. He discusses alternative methods of obtaining consent, especially in situations where traditional paperwork may not be feasible, highlighting the human aspect of documentary work.
"but i feel like there's so many ways to tell the same non-fiction that it's borderline on fiction yeah this is well it's storytelling and how much shaping do you see yourself as as doing like how impo..."
In this segment, Fitzgerald shares his thoughts on some of the most impactful documentaries he admires. He discusses the significance of storytelling in these films and how they resonate with audiences, reflecting on the power of documentary filmmaking to evoke emotion and provoke thought.
"actually that's an interesting little so they say something to the camera that they consent or they sign the thing yeah so for example you know i think the large you know broadcast companies have this..."
Fitzgerald concludes by discussing the evolving role of the filmmaker in documentary storytelling. He reflects on how personal experiences and ethical considerations shape the narrative, emphasizing the importance of being a human being first and a filmmaker second in the pursuit of authentic storytelling.
"day-to-day minute to minute because that can change absolutely and it does change you mentioned uh a woman captured what the this is i'm sure you can't answer that but i will force you uh what are the..."
Skye Fitzgerald reflects on a pivotal moment during his documentary work where he chose to prioritize saving a life over filming. He emphasizes the importance of being a human being first and a filmmaker second, illustrating the moral dilemmas faced by documentarians in crisis situations.
"according to his paradigm then we should have just filmed and um i didn't anticipate that moment beforehand i had no sort of foreknowledge that i was going to find myself faced with that dilemma of th..."
Fitzgerald discusses the beauty of incorporating personal elements into documentaries, suggesting that filmmakers should reveal their humanity to enhance authenticity. He argues that acknowledging the filmmaker's presence can deepen the viewer's connection to the stories being told, especially in narratives of suffering.
"moments like that that's beautifully beautifully put but i also think like you could be a human being in small ways too like silly ways and put a little bit of yourself in in documentaries i i tend to..."
In this segment, Fitzgerald shares his thoughts on the balance between storytelling and personal involvement in documentaries. He critiques 'navel-gazing' filmmaking while advocating for a subtle presence that reminds viewers of the human behind the camera, enhancing the narrative's emotional depth.
"in that way as you know i i don't do that in a big way but you know i actually there are subtle moments where i allow that presence to live just for a second like i hate belly button docs that's what ..."
Fitzgerald introduces his documentary 'Lifeboat,' which highlights the asylum seeker crisis in the Mediterranean. He explains the inspiration behind the film, focusing on the humanitarian efforts of NGOs rescuing drowning asylum seekers and the moral imperative to document these urgent stories.
"unimportant what is important is what's happening what's unfolding in the world that we need to act upon and right and i think it's selfish and narcissistic to to you know push myself into these stori..."
Fitzgerald discusses the challenges of filming during rescue operations in the Mediterranean. He describes the dual role of being a humanitarian and a filmmaker, emphasizing the need to document the unfolding crisis while actively participating in rescue efforts.
"well let me ask you about lifeboat because it's extremely i i don't um it's a really moving um idea just just the fact that this exists in the world that there's uh as a metaphor as a reality that the..."
In this segment, Fitzgerald shares a personal story about his crew's experience during a rescue operation, illustrating the intense emotional and ethical decisions filmmakers face in crisis situations. He emphasizes the importance of documenting these events while maintaining a commitment to humanitarian action.
"lift up and showcase the asylum seeker crisis in the mediterranean when it was at its height um in 2016. and um it came to be for many reasons but but one of those reasons is is um colleagues in the n..."
Fitzgerald reflects on the inspiring actions of volunteers in the humanitarian community, particularly during the asylum seeker crisis. He highlights the importance of storytelling in raising awareness about the struggles faced by asylum seekers and the moral responsibility of filmmakers to share these narratives.
"community sprung up um and it was civil society based that that tried to meet the needs of those asylum seekers to to just ensure that fellow human beings weren't drowning simply put and one of those ..."
Fitzgerald discusses the complexities of being both a filmmaker and a humanitarian. He shares insights on how to navigate the challenges of documenting difficult stories while remaining engaged in the human experience, emphasizing the need for filmmakers to balance their roles effectively.
"story there and as it turned out there was have you ever saved someone's life as as a part of making these documentaries directly and directly i think you probably have countless lives but directly we..."
In this segment, Fitzgerald addresses the ethical considerations filmmakers must navigate in crisis zones. He discusses the importance of understanding local laws and customs while making decisions that prioritize both safety and the integrity of the story being told.
"decisions about how how to live that duality right of being a humanitarian and a filmmaker simultaneously and the the greatest example i can share of that was with my director of photography in that p..."
Fitzgerald shares his perspective on fear as a natural human emotion that can guide filmmakers in their work. He discusses how acknowledging fear can lead to meaningful storytelling and the importance of acting despite the risks involved in documenting challenging subjects.
"and his camera was nowhere to be seen yeah right and so i walked over to him and i just grabbed him by the shoulders and said kenny where is your camera and he didn't know he had no idea where his cam..."
Fitzgerald introduces his documentary '50 Feet from Syria,' which focuses on the impact of the Syrian conflict on civilians. He explains the film's aim to highlight the humanitarian crisis through the lens of a Syrian-American surgeon working with refugees, emphasizing the need for empathy and understanding in storytelling.
"don't you think as a documentary filmmaker the fear is a really good signal for potentially a good thing to do because there's a story there so is fear is an indicator that you shouldn't do it or is i..."
In this segment, Skye Fitzgerald introduces his documentary '50 Feet from Syria,' which focuses on a Syrian American surgeon volunteering at the Turkish-Syrian border. He explains the film's aim to showcase the impact of the Syrian conflict on civilians and the heroic actions of individuals who risk their lives to provide medical care to refugees.
"time 50 feet from syria i i would love to talk at least a little bit about this film first can you high level can you tell what this documentary is about yeah it was early in the syrian uprising and w..."
Fitzgerald describes a local Turkish businessman who embodies heroism by risking his safety to transport wounded individuals from Syria to medical facilities in Turkey. This segment highlights the selflessness and courage of ordinary people who step up to help others in dire situations, drawing parallels to historical figures like Schindler.
"so in this film there's a man who crosses the border every day to retrieve the wounded and fair them safety and care and you also mentioned about heroism in the united states um can you tell me about ..."
Skye Fitzgerald elaborates on the importance of building relationships with authorities in conflict zones to facilitate humanitarian work. He shares how the Turkish businessman gained access to transport wounded individuals by establishing trust with border guards, showcasing the power of human connection in overcoming barriers.
"and and and he saw the medical need in particular and how hard it was to get people in desperate medical conditions across the border where there was a clinic just right across the border but because ..."
In this segment, Fitzgerald reflects on the selfless actions of individuals who dedicate their time and resources to help others in need. He emphasizes the aspirational nature of such heroism and how it reveals the fundamental humanity within people, especially during times of war and crisis.
"receive the most desperate medical cases that were coming from all over um northern syria right to receive medical treatment and he would as you see in the film he would ferry them into the back of hi..."
Fitzgerald discusses the challenges of balancing artistic integrity with the financial realities of filmmaking. He shares his experiences of funding documentaries and the constant tension between creating impactful stories and the need for financial sustainability in the film industry.
"other human beings i mean if you draw parallels to schindler i feel like the fascinating thing about uh schindler is that he's kind of a flawed human and he's not the kind of human that does these thi..."
In this segment, Fitzgerald and Fridman explore the difficulties of making documentaries accessible to audiences in the current digital landscape. They discuss the impact of paywalls and the importance of platforms like YouTube for reaching wider audiences and sharing important stories.
"the release of movies and me as a consumer you know uh with netflix with youtube you know that's one of the reasons i'm a huge fan of youtube is it's like out in the open yeah access or especially his..."
Fitzgerald expresses his frustration with the barriers to accessing important documentaries online. He highlights the need for more open platforms that celebrate impactful films and facilitate their reach to audiences who would benefit from them.
"really kind of torn by this whole thing anyway that's the discussion for perhaps another time but the the short question is why is it so hard to watch your documentaries and other films other incredib..."
Fitzgerald argues for the necessity of telling stories that address serious issues rather than just focusing on entertainment. He emphasizes the potential for documentaries to create positive change and the importance of finding platforms that support such narratives.
"platforms are i mean they're not they're not as easily accessible because you have to like yeah you have to use you have to think and you have to chase a particular you have to chase it yeah yeah yeah..."
In this segment, Fitzgerald discusses the challenges of navigating the documentary filmmaking landscape, including the need for funding and the balance between artistic vision and commercial viability. He reflects on his experiences and the ongoing quest to share meaningful stories.
"and on tick tock no there's different platforms for that this is a place called youtube i'll teach you about it okay yeah i've never heard of it it's a good place to publish documentaries i think i yo..."
Fitzgerald shares his philosophy on taking risks in filmmaking, often funding projects on credit based on his belief in the importance of the stories he wants to tell. He discusses the financial risks involved and the rewards of creating impactful documentaries.
"because you can just open up tech talk and keep scrolling so it that that's just something to say about platforms because i think the things that need platforms the most are things like your films the..."
In this segment, Fitzgerald offers advice to young filmmakers about pursuing their passion and the importance of believing in their stories. He emphasizes the need for resilience and the willingness to take risks in order to create meaningful work.
"but also right go out and shoot the next film yes right so that longevity question is also an issue and and the finances are part of that sort of equation that i constantly have to rewrite over and ov..."
Fitzgerald shares his thoughts on the essential skills needed for a fulfilling life, urging young people to step away from screens and engage with the world around them. He emphasizes the importance of interpersonal skills, observation, and reading as foundational elements for success.
"before hunger ward um i would just take a flyer on my films right where i would just say this this meets the so wet threshold this is a story that has to be told and and i want i want to tell it um an..."
In this segment, Fitzgerald discusses the transformative power of reading and writing. He highlights how these skills contribute to personal growth and understanding, and how they are essential for effective communication and storytelling.
"do that with hunger ward luckily i had funders um for that film yeah yeah take risks in this life it's gonna pay off which reminds me of let me ask you i already asked you for advice about for a filmm..."
Fitzgerald reflects on the importance of observing human behavior and interactions. He shares how his experiences as an introvert have fueled his fascination with people and the insights gained from careful observation.
"react to this given given sort of your expertise but i i would say um oh put down the smartphone yes step away from the monitor right because real life is not a screen right i believe that sort of the..."
Fitzgerald shares impactful books that have shaped his perspective, including 'The Prophet' and 'The Seven Habits of Highly Effective People.' He discusses how these works have influenced his understanding of human experience and personal development.
"live right i think we're in danger right now of living in a world where if the satellites stop functioning right um then a whole lot of people become completely dysfunctional right because we're so re..."
In this segment, Fitzgerald emphasizes the value of literature in providing wisdom and insight into the human condition. He reflects on how reading has been a source of inspiration and guidance throughout his life.
"my training in the theater has served me so well in the documentary world right because it's all about interaction and listening and talking and dialogue right and that's what i do in documentaries ri..."
Fitzgerald opens up about some of the darkest moments in his life and how these experiences have shaped his work. He discusses the importance of acknowledging suffering and how it informs his storytelling in documentaries.
"speaks to the nature of human experience right and i return to it all the time because there's wisdom there you know but but there's uh many many books so fiction or non-fiction what what connects wit..."
Fitzgerald recounts a traumatic experience from his early twenties involving a horrific car accident he witnessed. He shares the emotional turmoil of feeling frozen in fear while a woman died in front of him, which led to a profound realization about the importance of acting in moments of need. This moment of inaction has shaped his approach to filmmaking and humanitarian work.
"what have been you've observed suffering darker aspects of human nature in your own personal life what has been some of the darkest moments in your life darkest times in your life is there something t..."
In a deep reflection on mortality, Skye Fitzgerald discusses the purpose of human life and his personal mission to make the world a better place. He shares a quote from C.S. Lewis about how life's challenges shape us, emphasizing that the awareness of mortality drives him to take action and create meaningful change before his time is up.
"if we zoom out you were just one human that witnessed that that trauma you you one human that witnessed so much suffering in different parts of the world and as we zoom out across space and time and l..."