
38 segments available
"Instant photography at the push of a button!" During the 1960s and '70s, Polaroid was the coolest technology company on earth. Like Apple, it was an innovation machine that cranked out one must-have product after another. Led by its own visionary genius founder, Edwin Land, Polaroid grew from a 1937 garage start-up into a billion-dollar pop-culture phenomenon. Instant tells the remarkable tale of Land's one-of-a-kind invention-from Polaroid's first instant camera to hit the market in 1948, to its meteoric rise in popularity and adoption by artists such as Ansel Adams, Andy Warhol, and Chuck Close, to the company's dramatic decline into bankruptcy in the late '90s and its unlikely resurrection in the digital age. Instant is both an inspiring tale of American ingenuity and a cautionary business tale about the perils of companies that lose their creative edge.
Christopher Bonanos opens the discussion by addressing the relevance of Polaroid, a company that has diminished from its glory days but still exists in a different form. He highlights the transition from analog instant photography to digital cameras, emphasizing how Polaroid's unique instant photography experience has become a curio in today's digital age.
"CHRISTOPHER BONANOS: I have to start, obviously, by addressing a basic question. Which is, why should anybody care about a dead company called Polaroid? I should say up front that they're not exactly ..."
Bonanos explores the social dynamics of using a Polaroid camera compared to digital photography. He discusses how the physical print creates a unique social exchange, drawing people together in a way that digital images cannot replicate. The anticipation of photo development fosters connections and conversations, making Polaroid photography a special experience.
"In the late '70s, there were a billion Polaroid photos shot every year. And now, as a form, it's almost gone, for the simple reason, of course, that digital pictures are instant pictures. The chief ad..."
In this segment, Bonanos reflects on Polaroid's innovative spirit under the leadership of Edwin Land. He compares Polaroid to modern tech giants like Apple and Google, emphasizing how both companies thrived at the intersection of liberal arts and technology. Land's visionary approach to product development and design is highlighted as a key factor in Polaroid's success.
"Although we all exchange photos all the time on our phones and on Facebook and Instagram and Twitter and all the rest, something special happens when you take out one of these cameras in a social sett..."
Bonanos introduces Edwin Land, the founder of Polaroid, and discusses his significant impact on the company and the photography industry. He draws parallels between Land and Steve Jobs, noting their shared qualities as demanding, visionary leaders who transformed their respective companies into cultural icons. Land's innovative marketing strategies and product launches are also examined.
"If it's a kid, they've never seen it before, and they're curious. And they will stare at the picture as it comes out of the murk. If it's their parents who are interested, they'll talk about the camer..."
This segment focuses on the introduction of the SX-70 camera in 1972, a pivotal moment in Polaroid's history. Bonanos describes how Land's innovative presentations at shareholder meetings mirrored modern product launches, showcasing the SX-70's unique features and its cultural significance. The camera's design and functionality are discussed as key elements of its success.
"They were really a place about inventing things. It was an idea factory. There's a new book about Bell Labs called "The Idea Factory." And Polaroid worked much the same way. It was almost like a unive..."
Bonanos shares a historical film of Edwin Land discussing the future of photography, where he envisioned a camera that would be as ubiquitous as a wallet. This segment highlights Land's foresight in predicting the evolution of photography and its integration into daily life, showcasing his innovative mindset that paved the way for future advancements.
"fetishized industrial design. They insisted on objects that feel good in the hand, and sort of demand that you pick them up when you see them. And both were run by visionary, demanding, genius, godhea..."
In this segment, Bonanos recounts the origins of Polaroid, starting with Land's invention of the sheet polarizer. He explains how this technology laid the groundwork for Polaroid's later innovations in instant photography. The transition from industrial applications to consumer products is discussed, emphasizing the company's adaptability and ingenuity.
"done that, certainly not a chemist. At his shareholders' meetings, starting in the '60s, Land began to introduce products in a way that had never really been seen before. Shareholders' meetings back t..."
Bonanos narrates the founding myth of Polaroid, detailing how Edwin Land's experience with his daughter inspired the creation of instant photography. This personal story illustrates Land's innovative thinking and the emotional connection that drove his vision, ultimately leading to the development of the first instant camera.
"film he made for one of these shareholders' meetings. It was in 1970, and he stood in an empty factory, that was just being completed and hadn't been fitted out yet, to show people what the SX-70 was ..."
This segment covers the pivotal moment in 1947 when Land demonstrated his instant photography invention at an optics convention. Bonanos describes the excitement and media attention that followed, marking a significant milestone in Polaroid's history. The demonstration's impact on the photography industry and public perception is emphasized.
"And 40 years later, you are doing exactly what he said. I mentioned that this started in the 1940s, but Polaroid is an older company than that. It started in 1932 under a different name, and became Po..."
Christopher Bonanos recounts the founding myth of Polaroid, highlighting Edwin Land's pivotal moment during a vacation with his daughter. This segment explores how a simple question from Jennifer sparked Land's revolutionary idea for instant photography, leading to the establishment of a dedicated lab and the eventual development of the Polaroid camera.
"mostly making war material. And then it was going to have to shrink away, because it became evident, by 1944, that the war was ending. And Land knew he had to either fire people or come up with anothe..."
This segment details the sensational debut of Polaroid's first instant camera at an optics convention in New York in 1947. Bonanos describes the overwhelming media coverage, including a feature in 'The New York Times' and a full-page spread in 'Life Magazine,' which set the stage for Polaroid's explosive popularity.
"And as soon as he got back to Cambridge, Massachusetts-- which is where he had started his company after leaving Harvard-- he started a little lab devoted to this project. And it gradually began to dr..."
Bonanos narrates the launch of Polaroid's first instant camera in 1948, which became an instant sensation. He shares anecdotes about the overwhelming demand during its introduction at Jordan Marsh department store, where stock sold out by 5 PM on Black Friday, marking the beginning of Polaroid's cultural impact.
"It was a spectacular moment. And within a very short time, it was patented. There is the patent. And the product made its debut the next year. It was a Jordan Marsh department store in Boston, which w..."
In this segment, Bonanos discusses how Polaroid cameras became iconic, even capturing significant historical moments, such as the assassination of President Kennedy. He emphasizes the camera's ubiquity in American life and its role in documenting pivotal events.
"It was a phenomenon, starting in the late '40s and into the '50s and '60s. It was even, I might add, a witness to history. It was such a ubiquitous product. All over TV, because of the commercials. It..."
Bonanos highlights Polaroid's transition from black and white to color photography in the 1950s and 60s. He shares insights into the development process and the contributions of key scientists, showcasing how this shift was a major milestone for the company.
"He was tasked with coming up with color while black and white was still in the works, at the very beginning. And essentially, Land told him, just watch what we do, follow it, and see what applies to c..."
This segment focuses on the introduction of the SX-70 camera in 1972, which embodied Land's vision of one-step color photography. Bonanos explains how this innovation simplified the photography process, making it more accessible and enjoyable for users.
"But the real fundamental change came, as I said, in 1972. Up until then, all these systems required peeling and sometimes coating the picture after it was produced. There was a lot of rigmarole involv..."
Bonanos discusses the SX-70's impact on photography, describing it as the ultimate expression of the medium. He reflects on its popularity among both casual users and fine artists, emphasizing its significance in the evolution of instant photography.
"And that camera was the SX-70, as I said. And I've got one of those as well. This is the product of $2 billion-- and now those are 1960s dollars-- in research. It is a fantastic little object. Remembe..."
In this segment, Bonanos explores how renowned artists like Walker Evans and Andy Warhol embraced Polaroid cameras for their spontaneity and immediacy. He highlights the unique artistic contributions made possible by instant photography, showcasing its appeal to creative minds.
"And as I said, it was a sensation. Cover of "Time," cover of "Life." And I will say that there were fans of this camera absolutely everywhere. Do I not have it on full screen? AUDIENCE: If you just pl..."
Bonanos delves into the intimate nature of Polaroid photography, particularly for artists like Robert Mapplethorpe. He discusses how the immediacy and privacy of Polaroid prints allowed for personal expression, making them a unique medium for sensitive subjects.
"There's someone you may have heard of. Andy Warhol loved Polaroid pictures, because they were spontaneous, because they were instantaneous. This particular picture you see is something very special. P..."
This segment highlights the collaboration between Edwin Land and Ansel Adams, showcasing how Adams, a master of photography, became a consultant for Polaroid. Bonanos emphasizes Adams's dedication to the medium and his significant contributions to the development of Polaroid film.
"It can't escape. If you lock it in your desk drawer, until somebody takes it from you and puts it on a scanner, it's yours. It is an addition of one. And thus, it's almost more like a painting than a ..."
Bonanos addresses the turning point for Polaroid in the mid-'70s, as the company began to shift from an idea factory to a manufacturing powerhouse. He discusses the implications of this change and how it set the stage for future challenges.
"He thought of himself as part of the movement. So given that this was going so great, the question everybody has is where things started to go wrong. And as I said, the company peaked in the mid-'70s ..."
The introduction of Polavision coincided with the rise of digital media, setting the stage for the analog versus digital wars. This segment examines how Polaroid's failure to adapt to changing consumer preferences and the convenience of magnetic tape led to its downfall. The competition with Sony's Betamax illustrates the critical missteps that contributed to Polaroid's struggles in the late 1970s.
"was not an irresistible product. It had user experience flaws, we might say today. You had to use very bright lights, because the film was not very sensitive to light. So you had people squinting into..."
Edwin Land's retirement in 1982 marked a significant turning point for Polaroid. This segment discusses how Land's departure and the subsequent leadership changes affected the company's innovative spirit. As Polaroid faced increasing competition from Kodak and struggled with internal challenges, the loss of its visionary founder raised concerns about the company's future.
"chances are. You could argue that swapping videotapes-- or renting videotapes, whatever-- was the very, very beginning of something akin to file sharing, or BitTorrenting, or whatever way you swap mov..."
Kodak's entry into the instant camera market posed a direct threat to Polaroid, leading to a lengthy legal battle over patents. This segment details the competitive landscape of the late 1970s and how Polaroid's successful lawsuit against Kodak in 1991, resulting in a $1 billion settlement, highlighted the ongoing struggle for dominance in the instant photography market.
"He stopped going to parties. He had nothing to do with the place. The other thing that happened was that Kodak, as I said, which had begun to perceive Polaroid as a competitor, decided to actually com..."
Following the patent victory, Polaroid became distracted by its legal triumphs, leading to a stagnation in innovation. This segment explores how the company's focus on its history and past successes hindered its ability to adapt to the rapidly changing photography landscape, ultimately impacting its market position and creative output.
"And what they had done was hire lawyers to go through all of Polaroid's patents, and see if they could do a bob and weave and get around it. Some of this may sound familiar, too. So what they'd done, ..."
Polaroid's reluctance to embrace digital technology and its failure to commercialize innovations like CCD sensors and inkjet printing technologies are examined in this segment. The company's adherence to its film-based business model, despite the clear shift towards digital photography, illustrates the challenges faced by legacy companies in adapting to new market realities.
"company that was in the business of coming up with the future. In those years, as I said, Land was no longer running the company. Two insiders followed him as CEO. And they did some good work. Through..."
As Polaroid struggled to adapt to the digital age, financial pressures mounted, leading to a series of poor decisions and ultimately bankruptcy in 2001. This segment discusses the factors contributing to Polaroid's decline, including rising debt, competition, and the failure to innovate, culminating in a significant moment in the company's history.
"And they kept saying, well, where's the money in this? We can't make any money without film. The inkjet printer mistake is tougher to understand, because it's precisely the same business model. You kn..."
After declaring bankruptcy, Polaroid faced a tumultuous period marked by leadership changes and legal troubles. This segment reflects on the company's legacy, the challenges of maintaining relevance in a digital world, and the impact of past decisions on its future. The story of Polaroid serves as a cautionary tale about the importance of innovation and adaptability in the tech industry.
"You had to keep everything going. So the solution to that was to keep cranking out more and more film, and to goose that market over and over. And that meant more plastic, cheap cameras, many of which..."
In this segment, Bonanos reveals how, contrary to expectations, interest in analog instant photography began to rise after Polaroid's decline. He discusses the hipster revival of instant photography and the appeal of physical prints in a digital world, drawing parallels to the resurgence of vinyl records.
"What started to happen was a small but noticeable return to analog instant photography, not as a mass market product, but as an interesting something else-- an alternative to digital, call it. You sta..."
Bonanos narrates the story of the Impossible Project, where two entrepreneurs acquired the last Polaroid film factory and set out to recreate analog instant film. Despite initial challenges, they gradually improved their product, showcasing the dedication to preserving the art of instant photography.
"which is interesting to an artist or a creative person of any kind. Nonetheless, they ran out of ingredients in 2008, 2009, shut everything down, because they had to. They had stopped ordering them. T..."
In this segment, Bonanos reflects on the irrational yet passionate desire of people to keep instant photography alive. He shares insights into the market for Impossible Project film and the emotional connection users have with the medium, emphasizing its unique charm and artistic value.
"And it didn't work very well. It looked smudgy and brown. And as it came out of the camera, you had to dive around the front and cover it with a piece of cardboard, because it was a little light sensi..."
Bonanos concludes by discussing Edwin Land's post-Polaroid life, including his establishment of The Rowland Institute for Science. He highlights Land's contributions to basic science and his ongoing passion for color perception research, illustrating his lasting impact beyond the realm of instant photography.
"I will show you. That's inside the Waltham plant, by the way. That is an Impossible picture that I shot about four weeks ago. That's the little boy I was telling you about earlier, my son, who gets ph..."
Christopher Bonanos discusses Edwin Land's retirement from Polaroid and his subsequent establishment of The Rowland Institute for Science. This segment highlights Land's passion for basic research and his contributions to the field of color perception, particularly through his retinex theory. It reflects on Land's pride in his scientific endeavors after leaving Polaroid.
"turned out to be important. The third thing is that the museum pieces-- this kind of stuff-- Polaroid also had a little museum collection. And it went to the MIT Museum in Cambridge, which is just an ..."
In this segment, Bonanos describes Edwin Land's fascinating demonstrations of color perception using black-and-white images and color filters. He references a BBC film showcasing Land's experiments, illustrating the innovative spirit that defined Land's work and his dedication to exploring the science of color.
"It was about basic research. And it was on the Charles River in Cambridge. And because they had all this money from the Polaroid stock, they built a very nice building. It worked a little like the Ins..."
Bonanos recounts the later years of Edwin Land's life, including his decision to cut ties with Polaroid and his absence from the company's 50th anniversary. This segment emphasizes Land's focus on his research and the eventual decline of Polaroid, culminating in his death in 1991 and the legacy of The Rowland Institute.
"if you Google it. He spent years trying to-- he would often do these demonstrations, where he would show a black-and-white picture through a color filter, and, with a single filter of yellow or red, w..."
Christopher Bonanos shares his personal connection to Polaroid, recounting how he acquired his first camera at a young age and his ongoing interest in the medium. He reflects on the impact of Polaroid's decline on artists and his curiosity that led him to explore the history of Polaroid and its founder, Edwin Land.
"As the Institute for Advanced Study is a separate little island within Princeton, the Rowland is within Harvard's structure. Any more? Yes. AUDIENCE: How did you first become involved in Polaroids, an..."
In this segment, Bonanos discusses the resurgence of interest in Polaroid photography among artists and enthusiasts, despite the company's decline. He highlights the emotional responses of artists to the loss of Polaroid film and the emergence of the Impossible Project, which aimed to revive the medium.
"And they were really unhappy about that guy Petters, who I mentioned earlier, who had clearly been doing something nefarious. And they were angry. And that got me curious. And then I started, as I was..."
Bonanos shares a humorous anecdote about acquiring a suitcase full of Polaroid cameras from a stranger on the subway. This story illustrates the quirky culture surrounding Polaroid enthusiasts and the lengths to which fans will go to preserve the legacy of instant photography.
"So a book project was a lifeboat. Any other questions? AUDIENCE: Can we look at them-- can you hold up the SX-70? CHRISTOPHER BONANOS: Sure thing. AUDIENCE: Because when you held it up, and you said i..."
Bonanos reflects on the lessons learned from Polaroid's history, emphasizing Edwin Land's philosophy of innovation and the importance of staying ahead of the competition. He discusses the significance of creating unique products and the necessity for companies to adapt to avoid obsolescence, encapsulating the cautionary tale of Polaroid's decline.
"This was their professional model. This was the expensive one in that line. And I had the cheaper one on my shoulder. And a guy sees me on the subway, and he leans in close, and he says, do you have a..."