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There's an Art to Getting Brilliant People to Surprise Themselves - Kevin Slavin of The Shed

There's an Art to Getting Brilliant People to Surprise Themselves - Kevin Slavin of The Shed

34 segments available

Kevin Slavin - https://twitter.com/slavin_fpo - is the Chief Science and Technology Officer of The Shed, which is an art center in New York that’s opening in 2019 - https://theshed.org/ Before The Shed, Kevin founded the Playful Systems group at MIT's Media Lab - https://www.media.mit.edu/ He also gave a TED talk in 2011 called How Algorithms Shape Our World - https://www.youtube.com/watch?v=ENWVRcMGDoU The YC podcast is hosted by Craig Cannon - https://twitter.com/craigcannon

Segments Timeline

1
0:00 - 1:01
1:01 duration162 words

Rethinking Higher Education

Kevin Slavin discusses the future of higher education, particularly for his daughter, in light of the increasing number of universities going bankrupt. He questions the traditional educational model and its relevance in today's society, emphasizing the need for change in how educational institutions operate.

"I had a there were a couple questions from the internet but I figured we could just start with kind of what we were talking before about education in general sure so as you're a dad now and you're thi..."

2
1:01 - 2:44
1:42 duration240 words

Cultural Institutions and Community

Slavin explores the role of cultural institutions like The Shed and Cooper Union in providing a sense of continuity and community. He argues that these institutions help individuals connect with broader ideas and people, filling a void left by the decline of traditional community structures.

"the United States there's a lot of reasons for that but one of them is that maybe it's just simply the model as they have constructed it and are sort of buttressing it to keep it exactly as it has bee..."

3
2:44 - 5:02
2:18 duration362 words

The Power of Connections

In this segment, Slavin reflects on how his relationships with brilliant individuals have shaped his identity and work. He emphasizes that his ideas and capabilities are deeply influenced by the people he collaborates with, highlighting the importance of community in fostering creativity.

"set of people and ideas we if you if you didn't have cultural institutions and you didn't have schools in the contemporary United States there's not there's not that many things that are accessible to..."

4
5:02 - 6:55
1:52 duration305 words

Drawing Out Brilliance

Slavin shares his approach to working with talented individuals, focusing on his ability to draw out their best work. He discusses the art of helping brilliant people surprise themselves and the importance of valuing others' contributions in collaborative projects.

"illusions of that that the ideas that I have or the capabilities that I have or the or the knowledge that I have comes from me it comes from it comes from being connected and embedded with an amazing ..."

5
6:55 - 9:44
2:49 duration466 words

The Art of Collaboration

In this segment, Slavin elaborates on his experiences in collaboration, particularly in interdisciplinary projects. He explains how he initiates ideas and connects with experts from various fields, creating a snowball effect that enriches the project and leads to innovative outcomes.

"talk about what it is but it's it's I'll just say it's a it's a it's a it's a very large scale artwork that is that's using that's using CRISPR and you know I know fuck-all about how to get that done ..."

6
9:44 - 12:00
2:15 duration395 words

Storytelling in Fundraising

Slavin discusses the nuances of storytelling in fundraising, emphasizing the need to convey a narrative of growth and scale. He reflects on his experiences in advertising and how they inform his ability to communicate the value of projects to potential funders.

"people who feel like they can spot talented people also feel a little inadequate and a little like an impostor and they don't know how to add value yeah well that's a good question I think there's a c..."

7
12:00 - 15:12
3:11 duration579 words

The Unique Journey of Area Code

Slavin recounts the journey of Area Code, a company he co-founded, highlighting its unconventional approach to growth and success in the gaming industry. He contrasts their focus on quality work with the typical pressures of scaling in business, illustrating the importance of passion over profit.

"lot about how how how ideas can provide value basically so now do you fundraise for area code no we just Frank and I just boots draft we just we totally did that it was it was just two dudes in a room..."

8
15:52 - 18:11
2:18 duration435 words

Embracing New Technologies

In this segment, Slavin shares how Area Code adapted to new technologies as they emerged, such as GPS and mobile gaming. He recounts the challenges they faced and how their willingness to explore new ideas led to unexpected successes, including the popular game 'Parking Wars.'

"yeah we were a game design shop and that is insane because what we would do is we would just we would pick up technologies or ideas that would fall off the back of different trucks and we would hold i..."

9
18:11 - 20:03
1:51 duration312 words

The Future of VR Gaming

Slavin offers his insights on the current state of VR gaming, expressing skepticism about the existing offerings. He draws parallels between the evolution of cinema and VR, suggesting that the industry has yet to discover its unique narrative style and potential.

"the two things that arrived five years into our into our project like like after five years of really kind of just like wow is that this is it this is it this five years in iOS arrived and we were lik..."

10
20:03 - 22:06
2:02 duration327 words

Narrative Challenges in VR

In this segment, Slavin discusses the complexities of writing narratives for VR games, noting the lack of educational resources for this emerging medium. He emphasizes the need for innovative storytelling that leverages the unique aspects of VR rather than replicating traditional gaming formats.

"great games in VR I haven't seen one yet I think that broadly speaking everything that I'm seeing in VR games is basically done by people who made console games and where they're essential mm-hmm mode..."

11
22:06 - 24:41
2:35 duration412 words

Innovative Gameplay Mechanics

Slavin reflects on the potential of VR to create new gameplay experiences that incorporate the physical presence of players. He shares examples of games that utilize the unique aspects of VR, highlighting the importance of designing interactions that are distinct from conventional gaming.

"VR right and yeah I mean well well also you know games aren't narrative vehicles in general right I mean they're there I there's a whole it's a whole very nerdy set of ideas around games and narratolo..."

12
24:41 - 27:12
2:31 duration407 words

Transitioning to the Media Lab

Slavin recounts his transition to the Media Lab, explaining how his connections and experiences led him to this opportunity. He discusses the Media Lab's focus on hiring 'misfits' and how this environment fosters innovative thinking and product development.

"negotiate the fact that they are separated which is a you know it's partly it's not partly it is an explicit reference to William Gibson's early the Neuromancer in which case and Molly you you know ha..."

13
27:03 - 28:01
0:58 duration168 words

Games, Play, and New Directions

Slavin reflects on his initial focus on games and play at the Media Lab, noting the excitement around location-based games. However, he expresses concern that this focus could lead to an industry rather than research, prompting him to explore deeper, more innovative ideas.

"interesting things about hiring new faculty at the Media Lab is like the the primary criterion is is that they're a misfit right and it's like we're we're looking for misfits who are thinking about ho..."

14
28:01 - 29:14
1:12 duration209 words

Revisiting Ideas in Microbiology

As Slavin delves into his work at the Media Lab, he reveals a growing interest in microbiology. He discusses how his previous experiences with area code led him to reconsider the intersection of play and biology, exploring how these concepts could inform new research directions.

"to get other people which is that you're basically you you know you kind of map out the spaces of where all those 30 people are and then you just look for somebody who is equidistant from all of them ..."

15
29:14 - 30:06
0:52 duration123 words

Cities as Biological Organisms

In this thought-provoking segment, Slavin discusses the concept of cities as biological organisms. He draws parallels between human-made structures and natural systems, questioning how urban environments can be understood through biological principles and the implications for future urban design.

"doesn't mean that it's new right like and and if I was interested in scaling that again I wouldn't try to do that there and so for me I came to the Media Lab to figure out you know they brought me the..."

16
30:06 - 31:00
0:53 duration120 words

The Gut Biome and Urban Metagenomics

Slavin introduces the idea of urban metagenomics, comparing the gut biome of individuals to the collective microbiome of cities. He explores how different urban environments influence the biological makeup of their inhabitants and the significance of these interactions.

"you know I had become just totally interested in in microbiology and and that's what the next two years really looked like okay I was was was really sort of revisiting the the ideas that were undernea..."

17
31:00 - 32:02
1:01 duration152 words

Cultural Implications of Urban Biomes

In this segment, Slavin discusses the cultural implications of understanding cities as living organisms. He reflects on how this perspective can reshape our understanding of urban life and the interconnectedness of individuals within their environments.

"cities are not as simple as hardware and a bunch of users that's just not that's not what they are and when we started area code the what was underneath it was we're gonna build software for cities ri..."

18
32:02 - 33:03
1:01 duration171 words

The Role of Technology in Urban Play

Slavin examines the role of technology in shaping urban play experiences. He reflects on the historical context of his work and how technology can influence the way people interact with their cities, emphasizing the need for innovative approaches to urban engagement.

"you were in you know we we we didn't go into it to do Facebook games or any of them more so yeah yeah I mean there were we found something very interesting in that but but when we started it was becau..."

19
33:03 - 34:03
0:59 duration153 words

Complexity of Urban Systems

In this insightful discussion, Slavin highlights the complexity of urban systems and the work of researchers like Jeffrey West. He emphasizes the need to understand cities as complex entities that evolve over time, influenced by various factors including biology and technology.

"notion of cities as biological super organisms um that like you know to to understand that you know if you if you step all the way back and you just look it's like you know you look at termites you kn..."

20
34:03 - 35:06
1:03 duration155 words

Collective Organisms and Identity

Slavin explores the concept of identity in relation to the gut biome and urban environments. He discusses how our biological makeup is influenced by our surroundings and the implications this has for understanding individuality within collective urban systems.

"series of very weird tangents which is what the Media Lab is is good at what I became interested in was I had I had a I had a a a hobbyists interest for a long time in in in the gut biome crunches whi..."

21
35:06 - 36:44
1:37 duration275 words

Cultural Transmission vs. Information

In this segment, Slavin differentiates between cultural transmission and mere information exchange. He discusses the importance of expressing ideas through culture and how this approach can lead to more meaningful engagement with urban environments.

"know that you know you are a collective organism right you know that that you know there's all kinds of ways to represent this and there's always you know it depends how you measure things but but one..."

22
36:44 - 38:01
1:16 duration246 words

Art and Design in Scientific Environments

Slavin reflects on his role at the Media Lab, emphasizing the integration of art and design within scientific and engineering contexts. He discusses the importance of bringing creative perspectives to technical environments to foster innovation.

"when you travel right you know it's like it's why you eat the food that you know in some city that you've never been to you eat the food that everybody else there yeah but no problem and it caused you..."

23
38:01 - 40:18
2:17 duration317 words

Blurring Boundaries in Innovation

In this concluding segment, Slavin articulates his vision for blurring the boundaries between disciplines at The Shed. He emphasizes the need for interdisciplinary collaboration to drive innovation and create impactful cultural experiences.

"poem you know like the we what I was trying to communicate wasn't data mm-hmm it was an idea hmm and that that is a very and that's and that's basically that's what that's what culture does right like..."

24
40:45 - 41:58
1:13 duration172 words

The Ambitious Design of The Shed

Discussing the architectural design of The Shed by Diller Scofidio + Renfro, Slavin highlights the innovative concept of a moving building. He shares insights from a tour with NASA engineers, emphasizing the ambitious nature of the project and its significance in the cultural landscape.

"into her crown and also the opportunity this is the first cultural center the shed the shed is the first cultural center to be at scale to be built in New York City since Lincoln Center okay Wow which..."

25
41:59 - 43:06
1:07 duration168 words

Risk and Innovation in Cultural Programming

Slavin reflects on the rarity of authentic risks in cultural institutions. He shares examples of past successful shows and the importance of taking creative risks in programming, aiming to create extraordinary experiences that challenge conventional norms.

"it's the artistic director who prior to this had been the artistic director of the armory and had done a bunch of shows there that on paper are obviously bad ideas and then you would go and and they w..."

26
43:07 - 44:44
1:37 duration252 words

Creating New Forms of Expression

Slavin discusses the unique combination of performance and exhibition spaces at The Shed, emphasizing the flexibility to start with an artist or idea rather than a predefined format. He believes this approach will foster new forms of artistic expression and collaboration.

"legitimately risky mm-hmm and I think it is it's just so rare that I mean these days it's just so rare that anybody takes an authentic risk of any kind but I think it's it's it's maybe even especially..."

27
44:45 - 46:09
1:24 duration243 words

The Challenge of Integrating Different Experiences

Exploring the complexities of merging performance and exhibition spaces, Slavin highlights the logistical challenges and the innovative solutions required to accommodate diverse cultural events. He draws parallels to the distinct functions of helicopters and planes in the context of cultural institutions.

"pretty hardcore folks from NASA's Voyager engineers and we were sitting up top looking at the motors that move the building and and and one of them said like you know this is this is ambitious and it'..."

28
46:10 - 47:06
0:56 duration137 words

Embracing Risk in Future Programming

Slavin reveals plans for a groundbreaking show that embodies the spirit of the 21st century, emphasizing the importance of taking risks in programming. He discusses the potential for collaboration with scientists to create engaging and thought-provoking experiences.

"thing they do so it took me a while to realize that it's that it's that it really is unusual then I had to understand why you would even want that and there's a couple different answers but the most v..."

29
47:07 - 48:06
0:59 duration181 words

Revolutionizing Ticketing for Cultural Experiences

Slavin outlines plans to eliminate paper tickets at The Shed, opting for smartphone-based ticketing instead. He discusses the implications of this shift on guest experiences and how it will change the way audiences interact with cultural programming.

"the fact of the building moves it's also like the best way to make it real like how few efficiencies you get in having an exhibition space with the performance spaces yeah think about what it's like t..."

30
48:07 - 53:14
5:07 duration754 words

Rethinking Audience Engagement

Slavin addresses the challenges of audience engagement in a digital ticketing environment. He emphasizes the need to rethink how guests experience cultural events, exploring innovative solutions to enhance visitor interaction and satisfaction.

"the building moves it's not just that the building is weird it's that the notion of the institution you know his weird it's like it's weirder than anybody knows can you put the the risks you want to t..."

31
53:04 - 54:28
1:24 duration241 words

The Shift from Broadcast to Digital

Slavin reflects on the changing landscape of live broadcasting for cultural events. He discusses the decision to prioritize digital broadcasts over traditional television, emphasizing the need for institutions to adapt to modern viewing habits and technological advancements.

"the spaces so like you tweak that and all of these sort of pry or is that you have for culture institutions yeah go out the window with it yeah so that's that's one of the big risky initiatives and th..."

32
54:28 - 56:06
1:37 duration270 words

Creating a Synchronizing Signal

This segment focuses on Slavin's vision for The Shed as a 'beacon' that emits a synchronizing signal to audiences worldwide. He emphasizes the importance of shared experiences and collective attention in cultural events, highlighting the potential of technology to foster connection.

"well the reasons is because we the the architecture team had the insight to put in an unprecedented amount of bandwidth for a cultural institution it's it's it's the first time I've ever been part of ..."

33
56:06 - 57:39
1:33 duration266 words

The Power of Collective Attention

Slavin discusses the significance of collective attention in cultural experiences, arguing that cultural institutions should harness technology to create moments of shared focus. He reflects on the emotional impact of being together in the same moment, a core aspect of theater and live events.

"like a beacon you know like this thing that emits a live synchronizing signal to everybody around the world I don't want to I don't want to put it up on YouTube I don't want to put it up on you know i..."

34
57:39 - 1:01:58
4:18 duration678 words

Embracing Uncertainty and Innovation

In the concluding segment, Slavin shares his thoughts on the importance of embracing uncertainty and innovation in his work. He reflects on his journey from advertising to cultural institutions, expressing a desire to continue exploring new ideas and maintaining a youthful spirit in his endeavors.

"culture yeah you know if you look at what technologies do and have done is they basically delaminate whatever it is that we like from its mode of transmission or expression whatever and if we didn't i..."