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How to Write Strikingly Well — Lee Child

How to Write Strikingly Well — Lee Child

24 segments available

This episode is brought to you by Basecamp, the world’s simplest, most effective project management platform. Check them out at https://basecamp.com and tell them David Perell sent you. Lee Child, the man behind the "Jack Reacher" series, has sold more than 200 million books. It is the best-selling series of all time on Amazon in the UK. More than Harry Potter, which is crazy! A new book is sold on average every nine seconds. So how does he do it? How does he write it? How does he come up with the ideas? That's what we're going to find out. 00:00:00 Introduction 00:00:30 Writing stories in America 00:07:26 You don't need an outline 00:12:50 Writing one book per year 00:17:57 Why the 60s were so creative 00:18:56 The business of writing 00:25:03 The key to page-turner books 00:32:57 "You have to believe two things" 00:38:25 How to write good dialogue 00:43:15 Where to start and end a book 00:52:18 Writing a violent scene 00:56:56 Using clothes to reveal character 01:00:43 Why the UK has so many good writers *About the host* Hey! I’m David Perell and I’m a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible. *Follow me* Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470 YouTube: https://www.youtube.com/@DavidPerellChannel Spotify: https://open.spotify.com/show/2DjMSboniFAeGA8v9NpoPv X: https://x.com/david_perell

Segments Timeline

1
0:00 - 0:00
0:00 duration75 words

Introduction to Lee Child

An overview of Lee Child and the success of his Jack Reacher series.

"Lee Child, the man behind the Jack Reacher series, a series that sold more than 200 million books, the bestselling series of all time on Amazon in the UK. Yeah, more than Harry Potter, which is crazy...."

2
0:00 - 1:32
1:32 duration177 words

Creating a Sense of Place

Child discusses his decision to set his stories in America and how he brings them to life.

"...where I want to start the interview is creating a sense of place. Like obviously you're English, you were in England when you got fired and then you're like, 'Hey, let's go base a story in America...."

3
1:32 - 3:05
1:33 duration47 words

The Appeal of American Geography

Child explains why he chose a vast American landscape as the backdrop for his stories.

"...He wanted a gigantic geography to make the notion of a mysterious stranger plausible, which isn't the case in densely populated Britain. He draws on his experiences from numerous visits to the US, ..."

4
3:05 - 7:41
4:36 duration54 words

Instruments of Writing: Temperature and Geography

Child shares how he uses temperature and geography to enhance his storytelling.

"...so I guess so they can check with police departments here and there that you're not some kind of murderer or something. And so I had to go back through all my old passports. And in those 24 years, ..."

5
7:41 - 9:12
1:31 duration54 words

No Planning, Just Improvisation

Child discusses his approach to writing without established plans or outlines.

"...I think it does. Yeah. You know, is it is it mostly an indoor story? Is it an outdoor story with with wandering? Is it uh just the flavor of it? I'm absolutely not a planner and I never have a prec..."

6
9:12 - 10:43
1:31 duration37 words

Influences and Inspirations

Child reflects on writers who have influenced his work and his takeaways from them.

"...As you say, an inspiring story simply doesn't need to be riveting or filled with action from the first line. He uses this insight to create a powerful hook in his own writing, while avoiding common..."

7
10:43 - 12:15
1:32 duration20 words

The Value of Recurring Characters

Discussion on the benefits of creating series with a singular character like Jack Reacher.

"...In his opinion, series characters offer familiarity and comfort to readers, which can drive engagement and expectation around new releases."

8
12:15 - 16:50
4:35 duration38 words

The Discipline of Writing

Child explains his structured approach to writing, beginning each book on September 1st.

"...you have got to have a certain discipline and structure to you to do that. So it's totally convenient to pick start first of September deliver sometime in March or April that is the way to do it."

9
16:50 - 19:54
3:04 duration38 words

Living Recklessly and Gathering Experience

Child shares insights into his life philosophy, travel habits, and their impact on his creativity.

"...I'm going to do whatever the hell I want. And I don't care what the result will be. My my target is to have more fun in 60 years than the rest of them would have in 100."

10
19:54 - 22:57
3:03 duration33 words

Commercial Writing and Audience Engagement

Child discusses the transactional nature of writing and the importance of connecting with readers.

"...It was that if I'm doing something, I want people to enjoy it. And if you want people to enjoy it, you may as well have the maximum number of people enjoy it."

11
22:57 - 27:29
4:32 duration49 words

Structure and Rhythm in Writing

Child explains how rhythm and structure in sentences can propel a story forward.

"...And you know, one of the most heartfelt compliments that you get, I've had dozens, hundreds of people say to me, 'Oh, I loved your book. I finished it.' It is such an achievement for some, you know..."

12
27:29 - 30:31
3:02 duration19 words

Crafting a Compelling Narrative

Child discusses the importance of suspense and engaging openings in storytelling.

"...If you imply a question, doesn't matter what it is, people will stick around to find out the answer."

13
30:31 - 39:42
9:11 duration15 words

The Writer's Journey: Adventure in Writing

Child describes the immersive experience of writing his stories, akin to a reader's adventure.

"...I want to feel that power when I'm writing it as well as reading it."

14
39:42 - 44:16
4:34 duration36 words

Dialogue: The Illusion of Natural Speech

Child breaks down the art of writing authentic dialogue in narratives.

"...It's absolutely full of placeholders, you know, um all this kind of stuff. It's people jump from one subject to another. There are long gaps. It's utterly utterly unlike anything you will ever see ..."

15
44:16 - 47:20
3:04 duration23 words

Beginnings and Endings in Writing

Child offers insights on how to effectively approach the beginning and the ending of a story.

"...You you don't start when the earth cooled. You know, that is what a lot of a lot of beginning writers get wrong."

16
47:20 - 48:52
1:32 duration30 words

Final Thoughts on Writing Careers

Child discusses the importance of experience and maturity in developing a successful writing career.

"...There have been a couple of people that have started fresh in their in their 20s, early or mid20s that have made a success, but it's very much the exception."

17
48:52 - 51:54
3:02 duration341 words

The Importance of Internal Structure

Discussing how extensive reading informs a writer's internal sense of structure and creativity.

"minority. Um, and even though you might be inventing an entirely new genre because an old guy like me, there's all kinds of stuff, you know, vampire fiction, this, that, the other that I have just no ..."

18
51:54 - 53:25
1:31 duration220 words

The Passion Behind Creation

Exploring how consuming knowledge fuels creativity, citing examples from film and design worlds.

">> That is very well put and very well diagnosed. And that is exactly what happens that you I mean for instance I remember that the first Jackarich movie with with Tom Cruz directed by Chris McQuary. ..."

19
53:25 - 54:56
1:31 duration367 words

Understanding Violence in Fiction

Discussing the representation of violence in stories and its psychological impacts.

">> Violence, making it feel real, the purpose of it. What matters with violence? Uh, I think making it feel real is again it's a bit of an illusion, a bit like dialogue in as much as most violence in ..."

20
54:56 - 57:59
3:03 duration359 words

The Frustration and Allure of Fictional Violence

Examining the psychological consolation of violence in fiction amidst societal norms.

"so that the real world that they're committed to that they feel like they they need to have and support in in a good solid liberal way. And I don't mean liberal uh politically necess. >> Yeah. I just ..."

21
57:59 - 59:30
1:31 duration221 words

Clothing as Character Symbolism

Analyzing how physical appearance and clothing choices quickly symbolize character traits.

">> Clothing clothing is your writing. How how does clothing inform character? I think it is a symbol, you know, it's a very quick way of of describing a type of person um that you we all have a kind o..."

22
59:30 - 1:01:00
1:30 duration162 words

The Learning Process in Writing

Distinguishing between teaching and learning in the craft of writing and exploring individual pathways.

">> When you say not teachable, does that also mean not learnable? or can something be yes, you can learn how to do it, but that doesn't mean that it can be taught. >> I I think you absolutely can lear..."

23
1:01:00 - 1:02:31
1:31 duration223 words

Cultural Influences on Writing

Exploring why so much noteworthy literature originates from Scotland, England, and Ireland.

">> Last question. You're English. Why has so much good writing come from Scotland, from England, from Ireland? What is it about this part of the world? >> I think uh I think it's a different answers f..."

24
1:02:31 - 1:03:31
1:00 duration195 words

The Art of Storytelling in Irish Culture

Highlighting the importance of storytelling in Irish culture and how it builds community.

">> You know, there reminds me of a bunch of Irish friends. Bunch of Irish friends. I was trying to think about how are they different from my American friends. And the way that they're the same is tha..."