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Jimmy Aine spent his career working with the very best people he can.
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People like John Lennin, Bruce Springsteen, Tom Petty, Bono, Dr.
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Dre, Trent Resner, Eminem.
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And Jimmy knew, just like Steve Jobs knew, just like Jeff Bezos knew that you always bet on talent.
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In fact, Steve Jobs said that you must find the extraordinary people, that a small group of A+ players can run circles around a giant team of B and C players.
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And Jeff Bezos set the tone from his very first shareholder letter when he said that setting the bar high in our approach to hiring has been and will continue to be the single most important element of Amazon's success.
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You must build a team that pursues the A+ players.
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That is exactly what Jimmy I did and that is exactly what RAMP did.
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A product that creates so much value for their customers that the customers never leave.
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I've been wanting to make an episode on Jimmy I for years.
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If you were to ask me who would you most like to meet and have a conversation with, he's towards the top of the list of people that I'd love to meet and have a conversation with.
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The four-part documentary on his life and partnership with Dr. Dre.
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It's called The Defiant Ones.
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It's one of my favorite documentaries of all time.
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I I rewatch it all the time.
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I probably seen it more than 10 times.
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And there's certain parts and clips from it that I've seen over a hundred.
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And what is fascinating to me is like if you go and search for Defiant Ones, you can read the description of the documentary and it would say something like, "The Defiant Ones tells of the unbreakable bond of trust and friendship between music legends Jimmy Iene and Dr.
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Dre, two street smart men from different worlds who together defied traditional wisdom and transformed contemporary culture in the process.
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Yes, it is undoubtedly about the life and the partnership uh of Jimmy and Dr.
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Dre over multiple multiple decades.
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But what I really think The Defiant Ones is about, it is really a documentary about entrepreneurship.
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So to make this episode for you, I rewatched all the Defiant Ones and I listened to every interview I could find by Jimmy and because there's no uh there's no biographies, there's no autobiographies of Jimmy I yet.
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I hope he I would love if he wrote an autobiography.
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And so then what I did is took notes on all this, combined this into one outline, and that's what I want to talk to you about.
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And just before we jump in, it's like one of the reasons he's he's really special.
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It's like he's one of these Jimmy's one of these super talented people that the general population probably don't really know.
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They're they're most likely not familiar with him at all, but the top people in his industry know and admire him.
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Going way back from like John Lennon, Bruce Springsteen, Tom Petty, Dr.
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Dre, Eminem, David Geffen, countless other music executives.
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And so hopefully by the end of this you'll see why those people and me admire and study and learn from Jimmy Ivy.
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He's got two of my favorite ideas that I've ever heard which I'll point to point out to you as we go through this.
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And I want to start with the fact that he was born in Brooklyn and his dad when he graduates high school the plan was like his dad set him up and to get him a job at the docks.
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So Jimmy's dad was a long shoreman.
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and these other people that obviously move the cargo from the ships to the port and back and forth.
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And Jimmy didn't want to be a long shoreman.
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He actually does something Jimmy does something right from a very young age that's really smart that would actually make Charlie Munger proud.
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Charlie Mer would always say invert always invert.
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And so Jimmy says, "I was thinking not what I was going to do.
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I was thinking what I wasn't going to do.
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I wanted to do something that was special."
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He did not want to have a normal life, just having a normal job. He admired his dad.
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His dad was his best friend.
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We'll talk a lot about that, but he didn't want to be a long shoreman, and he didn't have a lot of interest, but one thing that he was interested in from a very young age is the fact that he would sit in his room and listen to music for hours.
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He wouldn't just listen, he would study it.
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He says in the documentary that he would read the back of album covers.
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And so his family at the time says that Jimmy has a skill that would actually come in really handy uh later on in his life and career is that he was able to make you a super fan of whatever he was a fan of.
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And at this time it was just the people uh the music that he was listening to.
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So through a family member he winds up meeting this young talented singer songwriter named Ellie Greenwich.
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And it was Ellie Greenidge who got him his first two jobs in the music business.
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And really, that's a stretch to say he was in the music business cuz his first job in the music business was sweeping up in the recording studio.
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Somehow he managed to get fired from that job.
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She gets him another job in a recording studio.
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This job comes with a 90-day trial period.
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Jimmy gets fired on the 89th day.
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And so he's walking home after getting fired.
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He calls Ellie and he's crying and Ellie gets him another job.
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This one she got him a job at what will become a famous recording studio called the record plant.
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What I love about Jimmy's ability to tell stories, he will talk about what happened, you know, outline his career and what happened to when he was younger and then he'll tell you what the important lesson from that was.
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And his point was like, hey, when you're in a position to help somebody, you should help them.
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If you feel they deserve help and they deserve a break, you should do whatever you can to help them.
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Cuz he was really talking about Ellie.
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What would have his life have been if the second time he got fired from a recording studio, she decided not to try to help him get another job?
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That one act by her changed the entire trajectory of Jimmy's life.
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And it winds up being his first big break because at the record plant is where he meets Roy Sala.
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Roy Sala is a legendary engineer and producer winds up becoming Jimmy's mentor. Jimmy talks about this.
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He says, "When I was younger, I was scared to death.
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I didn't know where my life was going to go.
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And then I met Roy Sakala and John Lennon and they gave me a shot.
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And then I worked with Bruce Springsteen and Patty Smith and that was my college education. I felt freedom.
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Freedom from what I didn't know."
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And one of the best things that Roy Sala did, or he's a legendary engineer and producer, he would teach you by working through you.
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And so what working through you means, he would literally sit Jimmy down at the board and said, "Hey, hit that button. Push down that lever.
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See how the sound changes when you do that. Now do this.
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Now when you do that, do this at the same time."
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By working through Jimmy, it gave Jimmy a feel on how to actually make a record.
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He says, "Roy, Roy gave me my skills."
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And so Jimmy's first big break comes from answering the phone.
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He's going to describe uh what's about to happen here later on as the first day of his life.
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So he got a big break because Roy Sakala calls Jimmy on Easter Sunday and says, "Hey, I need you to come in and help out in the studio."
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Jimmy's living at home with his family.
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He comes from a very traditional, you know, New York Italian family.
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And his mom's like, "You're crazy. You can't go. It's Easter Sunday."
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But Jimmy said, "I'll do anything.
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I will do anything to make this work."
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He shows up to the studio and Roy tells him, "I just wanted to see if you'd come in. It was a test."
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In the studio with Roy Sakal on Easter Sunday was John Lennon.
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And so almost overnight, Jimmy goes from sweeping the floors to working the board with John Lennon.
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And so on all these other interviews, on all these other podcasts, Jimmy tells these incredible John Lennon stories.
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The interview that Jimmy I did with Rick Rubin a few years ago was the best podcast single podcast episode I heard all year.
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And a lot of the stories that Jimmy tells about this period is just like taking this extreme serious doing whatever was was ever was necessary not to get thrown out of this room.
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Remember he had already been fired two times before.
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And he says listen I was just like how do I not get thrown out of this room because I've been thrown out of a few rooms. I was sweaty.
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He's talking about being very very nervous.
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How could you not be nervous?
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John's a beetle for God's sake. I'm sweaty.
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How can I just overdo it? How do I just serve? How can I be of service?
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I learned, he talks about, you know, not only running the board, setting up the mics, making sure the sound's good.
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He's like, I learned how to make John Lennin's tea.
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I got so good at making John Lennin's tea, he wouldn't let anybody else make it.
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I timed it exactly right.
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The way I am about everything, I was about that tea.
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And so this another example of somebody further down the line, more successful, trying to help Jimmy.
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He says, "John Lennon would just give me a shot on anything and everything.
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It wasn't because I was talented.
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It's because he liked me and he felt he could trust me."
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And so John is the person that's going to send Jimmy for the first time to California because John's going to fly to California and work with this legendary producer named Phil Spectre.
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There's a bunch of crazy stories are about to happen here four decades later.
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After I tell you these stories, four decades later, Phil Spectre is going to actually murder somebody and he's going to die in jail.
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But one of the things I have to point out to you is one of the things that Jimmy talks about, it's one of my favorite ideas and I'll go over this with you is just like everybody feels fear.
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If you're trying to do anything new, if you're trying to be successful, if you're trying to change the trajectory of your life, you are going to feel fear.
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You've got to be able to step forward when you feel that.
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And I want to give you some background here.
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John Lennon puts Jimmy I up at the Beverly Hills Hotel. Jimmy I is 20 years old.
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He had never been on a plane before.
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He had never stayed at a hotel before.
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And now he's going to find himself in a room and have to figure out a way to help two of the most well-known people in the music business.
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And this is where he just tells crazy stories.
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So he sets everything up.
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It's very difficult to get the sound exactly right.
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Phil Spectre shows up at the studio.
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Jimmy's already been there, you know, for hours and hours and hours.
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And Phil Spectre walks into the studio.
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He's wearing a white butcher coat and he's got two guns strapped to his chest.
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Remember, this is a guy who four decades later is going to murder a woman at his house and die in prison.
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And so Jimmy is telling the story.
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Remember, he's 20 years old, has no experience, has a lot of fear, has a lot of insecurity.
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He said it was complete chaos.
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Phil was yelling at people.
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He was calling Sher a Sher was in there singing backup.
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There was alcohol, gallons of alcohol.
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They're drinking the whole time.
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Phil Spectre is yelling at everybody and is crazy.
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We have to record for 3 weeks like that.
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One day, Phil comes in, goes to the bathroom in the recording studio and starts shooting the bathroom up.
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Another day, David Geffen shows up at the studio.
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At this point, David Geffen is dating Sher.
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So, 20-year-old Jimmy Ivine, who has no experience, a lot of fear, a lot of insecurity, finds himself in a tiny tiny room, and he's got David Geffin behind him and Phil Spectre next to him.
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And Phil is drunk and chaotic and yelling.
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And so he tries to start yelling at David Geffen.
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And this is the way Jimmy tells the story.
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Phil is yelling at David.
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So David says something very David.
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David says, "I don't know about you, but right now I have the number three, four, five, seven, and eight top songs in the country.
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This induces Phil into a state of rage."
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And Phil decides to try to attack him physically.
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Says Phil jumps into a karate stance, which made me laugh.
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And what also made me laugh is Jimmy's interpretation of this.
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Remember, Jimmy's from Brooklyn.
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He grew up in a rough neighborhood and now he's around all these famous and really successful people and he goes, "Oh, these people do this, too.
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This is stuff I see back in Brooklyn."
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And so, the main point here and what I really thought about is as he's telling these stories and I was as I was watching documentary, listening to these interviews, like imagine being this this young kid, you have to work through this.
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You have to work through all this.
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You're in a very turbulent environment and you know if you this up, it's not like you're going to get another chance.
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And so that leads me to one of the two favorite ideas of Jimmy that I mentioned earlier in the fact that you need to use fear as a tailwind. This is what Jimmy says. Fear's a powerful thing.
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It's got a lot of firepower.
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If you can figure out a way to wrestle that fear to push you from behind rather to stand in front of you, that's very powerful.
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I always felt that I had to work harder than the next guy just to do as well as the next guy.
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And to do better than the next guy, I had to just kill it. That is still with me. in how I work.
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I just go in and he would say over and over again, you have to train yourself that anytime you feel fear, you have to take a step forward.
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And I think one of the most important things definitely, you know, Jimmy talks about this over and over again.
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It's like one of the most important and influential relationships he has in his life is with his father.
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And I absolutely love what Jimmy's father did for him.
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His father gave Jimmy confidence.
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And this is what he said about his father.
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My father was a real cheerleader.
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He always told me whatever room you go into is better because you are there.
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So I never felt no one wants me here or I don't belong.
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I think that's really important because Jimmy said in another interview that when he was younger like I had a lot of insecurities and a lot of fear.
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I was one of those guys like oh man I hope they don't hit the ball to me.
14:04
And so he gets to work with Bruce Springsteen.
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There is so many great ideas that he learns from Bruce, but I think the the two most important ones is the fact that he re this for the first time in his life, he sees what a real work ethic looks like.
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He says over and over again, I learned my work ethic from Bruce.
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And then the second most important thing that comes out of this is the fact that they become lifelong friends.
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This is like 1975 or something like this.
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I think Bruce is like 80 now.
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Jimmy's in his 70s and they're still friends.
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And so the way I think about what Jimmy is about to witness here is I can summarize this in one of my favorite maxims.
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Mediocrity is always invisible until passion shows up and exposes it.
14:44
Jimmy says Bruce Springsteen taught me a work ethic.
14:48
Bruce taught me that you don't stop until you get it right.
14:51
Bruce's parts in the documentary about this time are some of my favorite ones.
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This there's a bunch of quotes I want to read to you.
14:58
He says, "If you want to accomplish what hasn't been accomplished before, you have to be relentlessly and unapologetically determined.
15:03
You had two kinds of guys that we ran into at that time.
15:08
They're the kind of guys that wanted to go home at 5:00.
15:10
And their interest in what you were doing didn't exceed the normal day for them.
15:15
And those guys never lasted."
15:17
Because when you're trying to push the boundaries on things and when you're trying to move into different types of frontiers, you need to be surrounded by people who really believe in what you're doing. Damn it.
15:30
That is such a good a good point and a great quote.
15:32
If you're trying to do something new, if you're trying to push the boundaries, I would say if you're trying to live up to your your potential to fulfill your potential, you need to be surrounded by people who believe in what you're doing.
15:44
He continues, "We were just very very determined.
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If you were new to our club, the relentless pursuit of our idea would have exhausted you.
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It was simply understood that you were there because you believed what we were doing was worth it.
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And so all these people are talking about what it was like working with with Bruce back then.
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And he says that Bruce would simply lose track of time.
16:09
Bruce said, "We spent three weeks trying to get drum sounds right, which is indulgent, but sometimes you need to be indulged."
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Jimmy talks about this that Bruce would stand over him and say one word over and over again. Stick stick.
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And what Springsteen meant by that is like, "Hit it again."
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The drum was not producing what he called size and power.
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It is producing the wrong sound. it is not good enough.
16:39
So do it again for three straight weeks.
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And then Jimmy has this great quote from Bruce Springsteen.
16:48
There's there's quotes sometimes where a person reveals their inner belief and they can do it in a sentence or a handful of sentences and you immediately understand who that person is.
17:00
And this quote is the most important quote for me.
17:02
It's the reason why next to me is this giant book that I'm going to read, which is Springsteen's autobiography called Born to Run.
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I heard Jimmy say this quote that he heard from Springsteen.
17:12
And I immediately ordered the book. This is what Jimmy said.
17:16
Bruce said something brilliant.
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He said, "I didn't want to be rich.
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I didn't want to be famous.
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I didn't even want to be happy. I wanted to be great."
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Do you have any idea how many of the founders that you and I have studied on this podcast that that applies to?
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And so I went through Bruce Springsteen's autobiography and I wanted to see all the mentions of Jimmy I in Springsteen's autobiography.
17:42
And I found this excellent quote on what Jimmy I was like at this time in their life.
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And Bruce writes this line almost like he's writing a song.
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Jimmy I brilliant impostor young studio dog with the fastest learning curve I've ever seen.
17:59
So Bruce is applying relentless pressure on top of a young Jimmy.
18:02
He says Jimmy would fall asleep at the soundboard.
18:04
He was under so much pressure and so sleepdeprived he almost quit.
18:08
And then Bruce's manager gave Jimmy some of the most important advice.
18:14
This is when Jimmy thought he couldn't take it anymore and he tried to quit.
18:17
And Jimmy said this is one of the most important things that anybody ever told him.
18:20
He said, "Jimmy, stay in the saddle.
18:24
You are missing the big picture. What are we here for?
18:27
We are here to help Bruce make the best record he can. That's the job.
18:32
We're not here to make you happy.
18:34
We're not here to make me happy.
18:36
We're here to contribute to Bruce's project."
18:37
And it is Bruce's project.
18:41
If you go back in there and you say to Bruce, "I am here to support you. This is not about me. It's about the album.
18:48
You will have a friend for the rest of your life and you'll have learned a lesson. That is the big picture.
18:56
The idea to always stay focused on the big picture is the piece of advice that Jimmy would repeat and he would apply for the rest of his career.
19:03
This is Jimmy's key takeaway from that advice in this experience.
19:05
He said, "You are there to help make their project better."
19:08
And part of that is caring as much about their music as they do.
19:11
I just said, "If these people are allowing me in this room, I'm going to do as much as I can to be of service to them.
19:21
That's what it was built on."
19:21
It's funny, some of the best investors I know actually speak exactly like this and how they view the founders they work with.
19:30
In fact, I was talking to Josh Kushner at Thrive and he said almost this exact same thing to me.
19:33
I'm going to read this back and it's really his view or my interpretation of his view of of the founders that he works for for.
19:39
You're there to help make their project better.
19:42
And part of that is caring as much about their music as they do.
19:44
I just said, "If these people are allowing me in this room, I'm going to do as much as I can to be of service to them."
19:49
That is what it is built on.
19:51
And so Jimmy doesn't quit.
19:54
Jimmy goes back in that room.
19:54
He helps Bruce do whatever he can to make the best album he possibly can.
19:58
And the the result, the album they were working on is Bruce's album, Born to Run, which goes on to be the a massive success.
20:05
And to this day, which I think the album's been out probably for 50 years.
20:09
If you go and look at any list of, you know, the top 100, top 500 greatest albums ever made, Born to Run is on those lists.
20:19
And so Jimmy's life changes.
20:19
Now he's like, "Oh, I want to work with the same guy that worked on Born to Run."
20:25
And Jimmy talks about the fact that this is success could be one of the most dangerous things that can help to happen to you.
20:30
He says, "You have success and you start feeling yourself."
20:32
He says, "I call this breathing your own exhaust."
20:37
The maximum I have for this, breathing your own exhaust is a great one, but if you go to sleep on a win, you'll wake up with a loss. Stick to the routine.
20:41
Stick to what got you there.
20:43
What what was great was that they locked themselves in a studio and didn't leave until it was perfect.
20:50
And so Jimmy talks about making mistakes at this point in his life.
20:52
He's like, "Oh, like I got hired by this band called Fog Hat."
20:55
And you know, he goes, "I wasn't good at my job yet. I didn't understand."
20:59
He goes, "I brought my girlfriend to some of the sessions."
21:00
So, he starts living the lifestyle, not realizing that that's not what it is. It's the work. It's the routine.
21:07
And so, he winds up getting fired off that project.
21:10
And then he said has this great line about this, which is also another great idea.
21:13
It's just a lot of like, you know, he's a college dropout kind of from the streets of Brooklyn, but he's got so much wisdom about he just has a fundamental understanding of, you know, human nature and how to to add value to other people and how to be successful.
21:26
And he says, you know, he got fired.
21:26
He he he was on like the top of the mountain, right?
21:30
He's like, "We just did Border Run.
21:31
Now my next project, I got fired.
21:34
Now I'm down in the valley."
21:34
And he says, "I was embarrassed."
21:36
You think everyone else is paying attention to your life. And they aren't.
21:39
It's complete And it was one of the most important things that happened to him because what does he do? He recommits.
21:45
He's like, "I'm not going to go to sleep on a win and wake up a loss.
21:49
I'm not going to breathe my own exhaust.
21:50
I'm going to get back to what made me successful."
21:52
And so he starts working with this artist named Patty Smith.
21:54
And she's describing working with him at this point in his life.
21:58
Jimmy worked all the time. He would stay for hours. He'd study.
22:03
He f This is such a genius idea.
22:06
He would, this is his form of professional research and practice.
22:09
Jimmy would find old tapes and see if he could improve them.
22:13
I'm going to take a song from 10 or 20 years ago and see if I can actually reproduce it and make it even better.
22:18
And then this is what Jimmy said at this point in sight.
22:19
I said to myself, "No fun, no life, no nothing.
22:25
You are giving up everything.
22:25
You will put 100% into this."
22:26
Jimmy's like this, by the way, with whatever he does.
22:30
This is another reason why I find him so fascinating and why he's one of the people I most admire.
22:34
And keep in mind, he he likes to pivot.
22:35
He'll talk about this like, you know, record producer, then starting a record company, then uh launching businesses with his artists.
22:43
Like, he does not want to do the same thing forever.
22:44
But whatever he's into, he's into it 100%.
22:46
And so this is the result of him recommitting.
22:50
He winds up having this massive top 10 hit.
22:52
So Patty Smith is going to do the song called Because the Night.
22:57
That wouldn't have happened without Jimmy because Jimmy got that song from Bruce Springsteen.
23:01
So Bruce Springsteen would write all of these songs and never use them. Bruce was prolific.
23:09
And being prolific is highly correlated with greatness.
23:12
Just because you're prolific won't mean that you're going to be great.
23:15
But if you're great, it's highly likely that you've been prolific, too.
23:17
And in fact, I got one of the greatest examples of this recently.
23:21
Daniel E, who's the founder of Spotify, actually sent me this excerpt on Prince. Let me read it to you.
23:24
It says, "In 1983, Prince walked off the stage at Madison Square Garden to a roaring crowd.
23:31
Most artists would celebrate.
23:33
Prince went straight to the studio, recorded until sunrise, slept for an hour, then called his band and said, "Let's do it again." That wasn't a one-off.
23:42
Prince worked like that for decades.
23:44
He wrote a song a day, played every instrument, produced every track, and released 39 albums.
23:49
While others chased hits, he stockpiled greatness.
23:52
By the time he died, his vault held over 8,000 unreleased songs, enough for a new album every year for the next century.
24:05
Prince didn't just master music, he let it consume him.
24:07
That's what made him immortal.
24:12
And so Bruce Springsteen was like that too.
24:14
Bruce talks about Jimmy I convincing him to give one of his songs to Patty Smith. This is what Bruce said.
24:21
There is the talent of Jimmy I.
24:21
He eases in and he greases the wheels so things happen at a certain moment and Jimmy I works his magic.
24:29
Bruce gives the song to Jimmy.
24:32
Jimmy gives the song to Patty Smith.
24:34
Patty Smith writes some more lyrics to it.
24:36
It's called Because of Night.
24:37
actually went through I also went back and every time they mentioned some of these songs they made I went listen to them songs like 50 years old still sounds great and it becomes this massive hit and then I loved Patty talking about what it was like working with Jimmy again going back to it's an act of service I am there to make your project better.
24:55
I'm there to do whatever I can to help you.
24:56
You know if that means stick being stuck in the in the in the studio for three weeks hearing Bruce say stick stick stick stick stick stick stick stick stick stick stick stick stick stick stick stick stick stick stick stick stick.
25:05
If it means making John Lennon's tea, it doesn't matter. There's no ego involved.
25:09
I'll do whatever it takes to win.
25:12
So Patty Smith on working with Jimmy IN wasn't that Jimmy wanted to be the number one guy.
25:18
He was ambitious for you. He was ambitious for me.
25:20
You always felt that his whole goal was for the world to see what he was seeing.
25:26
There's another great interview and talks about just the the the sheer amount of time that Jimmy would invest into his artists.
25:33
He says, "You're notorious for phone calls and long phone conversations with your artists.
25:37
What was the significance of that?"
25:39
And so they record they record all day and and usually into the night and then they talk for hours.
25:43
And Jimmy says, "As a producer, you have a responsibility to understand the person's record you're making to understand what they're trying to get out.
25:52
I would spend a lot of time on the phone after the sessions.
25:53
I would spend a lot of time just talking to them."
25:58
That again, that's another piece of just very simple and profound wisdom.
26:00
takes some interest in other people.
26:03
It takes time to deeply understand anything. People are no different.
26:07
And so now another example of opportunity handle world unlocks more opportunity.
26:11
Tom Petty wants to work with him.
26:12
And so Tom Petty does a great job in the documentary and he's he gives us a lot of good insight into what Jimmy Ivan's like and what it's like working with him.
26:22
He's like, listen, Jimmy is very very convincing.
26:25
He's very very persuasive is what Tom said.
26:26
And he says he's also obsessed.
26:28
he's also obsessed. And so another reoccurring theme that this advice that Jimmy gives out and I think you know obviously he said part of the way he learned this is through Bruce Bruce Springsteen it's just like you don't just record a song once you don't just
26:41
do it five times you do it 100 you do it 200 times he later on works with Bono and you too I think there they said in the documentary like the one track they recorded 250 times and so Tom Petty says Jimmy became so obsessed with getting the right take on a song that we did over 100 takes. I think we should do
26:57
I think we should do more. Jimmy would repeat. Let's do more.
27:02
And so two of the songs they make are these songs called Here Comes My Girl and Refugee. And this was hilarious.
27:06
Says, uh, this is Jimmy talking now.
27:06
Tom played me the songs Here Come My Girl and Refugee.
27:10
I looked at Tom and said, "Get another eight songs quick cuz we're done.
27:14
We're going to be millionaires.
27:16
Tom thought Tom thought that was such a strange thing to say about a song."
27:18
And then one thing they noticed is it's not just creating the work.
27:22
Jimmy was also really good at marketing.
27:24
One of the best marketers I've ever come across.
27:26
They call him a tornado of promotion.
27:26
He wanted to have influence.
27:29
He wanted to have control on marketing because he says the problem is you'd come to these these record executives and you'd play them like the new Tom Petty song or the new Bruce Springsteen song and they would just say the dumbest They're like, "Yeah, that doesn't really sound like your last record."
27:43
And hearing that in the documentary, this induces Jimmy into a state of rage.
27:49
He goes, and Jimmy would say, "Of course it doesn't sound like the last record.
27:53
It's not supposed to sound like the last record.
27:54
The whole concept is to not sound like anybody else.
28:00
Jimmy just didn't want to make a song like everybody else.
28:02
In fact, he has a great line.
28:03
He says, "Great is success."
28:07
That that is the north star. Make something great.
28:09
If you can do that, then after that, you can figure out how to get how to get exposed to more people.
28:15
But the first thing is great is success.
28:17
And that applies to not only the products and the songs that Jimmy wanted to work uh to work on and to make, but it's who he wanted to work with.
28:27
Tom Petty just nails what is one of Jimmy's what was one of Jimmy's superpowers.
28:32
He says, "One thing about Jimmy I is he's always known which people to hang around with."
28:36
That is spooky because Steve Jobs said literally the same thing about himself.
28:40
Steve Jobs said, "I think I've consistently figured out who the really smart people were to hang around with.
28:45
You must find extraordinary people."
28:47
And so one of the main things I take away from studying Jimmy A is like you Jimmy worked with the best.
28:52
You always bet on talent.
28:52
He worked with John Lennon Springsteen, Tom Petty, Dr.
28:56
Dre, Eminem, Trent Resner.
28:58
He's going to talk about this over and over again.
28:59
He's just find the best people and then he just empowers them.
29:02
He talks about this like producing the producers is I think the way he puts this.
29:05
I'll get to this in a little bit.
29:07
So, but he's also, you can see he's a learning machine. Remember what Bruce say?
29:10
Guysy's got the goddamn fastest like learning curve of anybody I've ever seen.
29:13
So, he's like, "Okay, well, what did I do last time?
29:15
I build a relationship with Bruce Springsteen. This guy's prolific.
29:18
He's writing all these songs he's not using.
29:19
I said, "Hey, this is a good song. You're not using it.
29:22
Can I give it to Patty Smith?" Tom Petty, same thing.
29:23
Very prolific, writes all these songs, doesn't use, you know, not even half of them.
29:27
So, he takes the idea that worked with Patty Smith and he con that where he convinces, you know, Bruce Springsteen to give one of the songs and he says he's starting to work with Stevie Nicks, who was super famous.
29:36
I think she was in this band called like Fleetwood Mac, but now she went on her own.
29:39
And so Jimmy starts producing her records, her her new solo album, and he's also dating her at the same time.
29:45
And he realizes that Stevie has great songs, but she she doesn't have a single.
29:49
And he found a song that Tom Petty had that he wasn't using.
29:53
And this is going to be the song called Stop Dragging My Heart.
29:55
He convinces Petty to give Stevie Nicks the song and perform on the record.
30:00
And Tom Petty has this hilarious has this hilarious description of of of Jimmy I sales pitch to him.
30:08
He's like, "Give her give her the song and this is going to buy you a house."
30:13
Which again, Tom thought was just like a weird thing to say about a song.
30:17
So that song, Stop Dragging My Heart Around, becomes a massive hit.
30:21
It goes to number one on the charts.
30:24
And I love what Jimmy says here, but this time in his life, and this is how I feel.
30:28
I resonate with his story.
30:30
This is the great thing about, you know, you and I going over these stories all the time.
30:32
It's like, yeah, we're learning about other people, but we're really seeing reflections of ourselves.
30:36
The same kind of ideas that resonate with them, we see, oh, that resonates with me, too. And this is one of them.
30:41
He says, I only knew one thing that every time I went back to the studio, I felt better, and my life would get better. It was that simple.
30:48
This idea really resonates with me.
30:52
And I think, just think about what he's saying.
30:54
Just focus on making a great product.
30:56
And that product should make somebody else's life better. That's step one.
31:00
then you find a way to keep making a greater number of other people's lives better and your own life will get better automatically.
31:08
Jimmy I was fundamentally uncomfortable with anything else but being in the studio.
31:12
And part of this is because he's one of the most relentlessly competitive people you ever come across. He's insanely driven.
31:16
In fact, they said, this is Doug Morris on Jimmy says after everything is said and done, Jimmy wants a win.
31:23
So he's super focused, only wants to be in the studio.
31:27
How does a superfocused workaholic date?
31:30
So, he winds up meeting, which is going to wind up being his first wife.
31:32
And his first wife, this is actually really important part of the documentary, and I'm going to bring this up several times of like how do you have personal relationships with, you know, people like a Jimmy Aine or Dr.
31:41
Dre or really any, you know, super driven workaholic.
31:46
Somebody just like is chasing after some somebody is on a something that's so important to him is on a mission that they have a hard time taking time away from that.
31:53
And we see this from the very first time.
31:54
Jimmy's gonna wind up being married to his wife for 25 years. They have four kids.
31:59
Unfortunately, sends in divorce.
32:00
And there's a lot of lessons that I'll that I'll go over about that later, but there's kind of an indication here.
32:06
And so, his first wife says, "I met Jimmy at a party." This is a paragraph.
32:10
This paragraph is a great summary of of his personality. I met Jimmy at a party.
32:15
He said, "If you give me your phone number and I remember it, can I call you?"
32:18
He called me 10 times the next day.
32:21
For our first date, he sent a limousine to pick me up.
32:23
Inside were napkins with my name printed on them, but he's not in the limo.
32:27
Then I realized we're on the way to his house to pick him up.
32:32
That should have been my first indication he doesn't want to wait for people.
32:38
And so Vicki is a model and a Playboy playmate. Uh she's a TV host. She's an attorney.
32:44
And as part of being a TV host, she winds up interviewing a young Bono at the very beginning of YouTube.
32:50
and she's like, "You need to meet my boyfriend Jimmy.
32:53
You guys would work really well together."
32:55
And so this is another one of Jimmy's superpowers is like he first goes and sees and hears about a young Bono and you too.
33:02
And so he says, "When I first saw a young Bono, I realized he had the same thing that Springsteen had. He had the edge."
33:08
This identifying of the very best people to work with is really important. Why is this important?
33:14
Because this is what Jimmy said.
33:15
You're only as good as the artist that you're working with.
33:17
Any producer who says, "I did this and I did that."
33:21
is full of 99% of what's going on in the studio is the artist.
33:26
And so, at first, Bono was a little resistant to Jimmy.
33:28
He said their styles are just so vastly different.
33:30
And then Bono has this great description of them. Jimmy happens to you.
33:34
He's like a virus and that takes over your organs and your brains.
33:38
He just knows this is going to work out well for both of you.
33:40
He chased us all around the world until we agreed to come to the studio with him.
33:45
He would not take no for an answer.
33:47
Does this sound familiar?
33:49
This is the way he signs talent, works on deals.
33:52
This is the way he dates.
33:54
It's the exact same thing.
33:57
There's a hilarious uh for some reason this pops my mind when it's like, "Hey, this guy would not take no for an answer.
34:02
This guy's chasing us all over the world till we signed with him.
34:03
We just decided to work with him."
34:04
The founder of uh Visa, DeHawk, actually described his sales technique one time in this autobiography he wrote.
34:11
And he said, "I held fast to the notion that until someone has repeatedly said no and adamantly refuses another word on the subject, they are in the process of saying yes and don't know it."
34:25
And so Jimmy starts working with Bono and he just realizes, "Oh, they have a lot there's a lot that Bono and Springsteen have in common.
34:29
They have this extreme work ethic."
34:30
And he said, "Bono and you two work like Springsteen. They just go."
34:34
And on Bono's part, he describes one of the benefits of working with Jimmy.
34:39
A great idea has a lot in common with with a great melody.
34:41
And Jimmy's gift is the clear thought.
34:43
He hears the clear melody and applies that wherever he is.
34:48
So he starts out as an 18, 19 year old kid sweeping the floor in a recording studio. We are now tw.
34:57
So, you know, 12, 13 years into his life.
34:59
He's had massive success.
34:59
And then the single worst day of his life occurs.
35:06
He says, "In 1984, I went with my father to his father's funeral.
35:09
The next morning, I flew back to LA.
35:11
I get a phone call from my sister saying that my dad had a heart attack.
35:16
I rushed back to New York.
35:18
6 weeks later, my father's mother died.
35:22
2 days after that, my father died.
35:25
My father, his mother, and his father all died within six weeks.
35:33
The day that my father died was the worst day of my life.
35:35
It is still the worst day of my life.
35:39
We were very, very close.
35:42
And I had no idea he was going to die.
35:45
He was my best friend in the whole world.
35:48
He is still my best friend in the whole world. He's destroyed. He's lost.
35:55
At the same time he loses his father, he starts his own family, winds up marrying Vicki.
36:00
They have their kit, their first child, and he realizes, I need a pivot. I can't do this anymore.
36:04
He's starting to love business more than producing.
36:06
And so Jimmy talks about this point in his life.
36:10
He says, I was focused and miserable.
36:11
I was working 24 hours a day.
36:13
I never did anything other than work.
36:13
I didn't want to do anything other than work.
36:17
I wanted to stop producing records.
36:20
I was 18 years in and I was burnt out.
36:22
I didn't want to be out all night producing records and not see my kids.
36:27
And so Tom Petty, who was good friends with him at the time, says Jimmy's heart was in the business. He had a calling.
36:32
His calling was to be a great businessman even though he was a great producer.
36:36
He was an even better entrepreneur.
36:38
And that is exactly what happened.
36:41
And so we go back to this reoccurring theme in Jimmy's life, seeking out people that are willing to help you, willing to that are further down the line.
36:47
They're willing to teach you and and reach back and help you.
36:48
So he sees that David Geffen sold his company.
36:53
And Jimmy has this great Jimmy has this great observation.
36:56
And like, wait, wait a minute, wait a minute, wait a minute.
36:58
I think he does what I do, but he just made all this money.
37:04
So, I went to see David Geffen to seek his advice.
37:06
So, I said to David, "Hey, I want to start a record company."
37:09
And Geffin told me, "You should do it.
37:11
There are a lot of record people a lot dumber than you are," which I thought was hilarious.
37:16
But Jimmy's response, I was like, that's that was actually inspiring for him to tell me that.
37:20
And he says, "I'm I've always been a fan of David.
37:21
We became friends and he just constantly stayed in my life and it helped me.
37:27
David Geffen taught me the art of business in music.
37:29
I was going in not knowing anything about business.
37:32
And again, this is what Geffen says about Jimmy.
37:36
If people think you're serious, right, and you're easy to understand, they will help you.
37:40
John Lennon understood that Jimmy was serious.
37:42
Bruce Springsteen understood that Jimmy was serious.
37:46
Geffen sees the same exact thing.
37:48
He says, "My first impression of Jimmy was that he was a sponge.
37:50
He picked up everything he heard or saw.
37:54
That sounds exactly like what Bruce Springsteen realized about Jimmy when he first met.
37:58
Now we're just like, you know, 15 years or 18 years later. So this is the big push.
38:02
This is when Jimmy decides to to found his own record label.
38:06
He's going to start Innercope Records, which is going to become one of the most successful record labels of all time.
38:11
So after David Geffin sold his record company, I think he sold it for like 400 or 500 million, something like that, there was a ton of people realizing, oh wait, I need to start my own record label, just like Jimmy had that same realization, right?
38:23
And so Jimmy needed to find his edge.
38:24
And I thought what he his observation here is really, really brilliant.
38:28
What is the edge for Innercope going to be?
38:30
And so Jimmy says, I didn't feel comfortable around executives.
38:34
I felt comfortable around artists and record producers.
38:37
Producers know how to get the best out of artists. So, I found my niche.
38:39
I got to find great producers and I'll produce them.
38:45
One of these is going to be Trent Resner, the lead person in this band, 9-in Nails.
38:50
So, at the time, 9-in Nails was signed to an independent record uh label that they absolutely hated.
38:57
They're having a lot of success.
38:57
So, all these other major record labels are saying, "Hey, Trent, we'll fund the lawsuit to get 9in Nails out of the contract."
39:05
And Jimmy didn't think that would work and said, "You have to you should actually work on convincing the owner of the independent record label to partner."
39:12
And in this case, what that partnership would look like is you're going to transfer that contract to Jimmy to to so he could start working with them.
39:19
And the way that Jimmy did this was very interesting and I think is also talks about why he was so talented.
39:22
He he deliberately chose a different path.
39:26
So every day for a year starting at 6:00 a. m.
39:29
, Jimmy would call all the parties involved and work towards a solution.
39:34
And so as they're describing this in the documentary, they cut to Bono and Bono says the phone is Jimmy's theater of war.
39:41
That is where he is deadly.
39:41
His wife said that Jimmy just locked himself in the bathroom and did and didn't come out and was just on the phone all day long.
39:47
She said that Jimmy had a red hot focus. It was nuclear. Jimmy wouldn't give up.
39:53
And then Jimmy describes this the the main advantage he has besides thinking he was very empathetic and looked from other people's pers point of views to figure out how like what they wanted and how he can reconcile all these different parties.
40:04
But he just said I can outlast anybody like I'm just it is a war of attrition by endurance we conquer. I can outlast anybody.
40:10
And so they interview the person that had signed 9in nails the owner of the independent record company.
40:17
And he described why he agreed to go with Jimmy.
40:20
Took a long time but why he agreed.
40:21
He says, "Jimmy is really good at empathy, at understanding the other person's motivation, their primal, their primal motivations, their desire, what is going to move them."
40:31
And so he winds up getting the contract, getting Trent Resner, and 9-in nails out of this.
40:35
And he was doing this for a year.
40:38
He just knew that Trent was super uh talented.
40:41
He had never even met Trent in person.
40:43
And this again just speaks to one of one of I think the most fundamental superpowers of Jimmy.
40:48
It's like fi find the very best people to work with.
40:51
Work like hell to get them to partner with you and to get you on your side.
40:55
And then once you do, give them the keys and say go drive.
40:58
He this is something he he's very consistent with.
41:00
He repeats over and over again.
41:02
And I'll give you an example of this.
41:03
So Jimmy goes to meet Trent Resner. Let me pause.
41:04
Let me go back because I think this is really important.
41:08
One again one of the most things I admire about Jimmy. The clarity of thought.
41:10
Unbelievably simple understanding of the most important thing.
41:14
A simple way to explain it so you understand what's going on.
41:16
So he he just worked on this guy's deal for a year.
41:19
He understood and really with all these these freaking geniuses, these musicians, these filmmakers, these entrepreneurs, it's the same thing.
41:26
They're obsessed with control.
41:26
And Jimmy just keeps it simple.
41:28
Goes up to Trent and says, "What do you want?"
41:29
And Trent says, "I want you to give me an advance for an album and then just leave me alone and I'll give you the album and the singles and the artwork. I have an idea.
41:38
Please don't try to ruin it as it's trying to come out of me."
41:41
And Jimmy said, "Okay, what else do you want?"
41:45
And Trent said, "I want a record label where I could sign other bands if I felt like that."
41:48
And Jimmy said, "Okay, what else do you want?"
41:50
And I couldn't think of anything else.
41:55
And so from another interview, Jimmy talks about this.
41:56
He goes, "Listen, I come from a place where the artists get to do exactly what they want and no compromise."
42:01
I'm not going to sit down there and tell Tupac or Trent Resnner, "Why don't you change your lyrics or change this or change that?"
42:06
That is a bunch of When you have great artists, when you have great talent, what you do is you give them the keys and you say, "Drive."
42:17
And so at this point in Jimmy's life, he has now pivoted.
42:19
He does not want to produce records anymore.
42:20
He wants to make a successful record company.
42:23
And this, this is what I mean.
42:25
He just always keeps the main thing, the main thing.
42:28
This is how they describe him at this time.
42:29
Jimmy had this mad obsessed focus on the big picture.
42:32
Remember the advice he got 15 years ago when he almost quit on Spring Scene.
42:36
Focus on the big big picture.
42:38
the big picture is we're going to make the best record label in the world.
42:41
And he had an actual like almost everybody you and I talk about, he had an he had inspiration from somebody that did what he was doing but did it in the past.
42:49
So 20 years earlier, he's like, "Hey, what I wanted to do is I wanted a record company in the spirit of Atlantic Records in the 1970s.
42:55
Back then they had Ray Charles, Led Zeppelin, Artha Franklin, and the Rolling Stones.
43:02
They those were the greatest artists of their time.
43:04
That is what we're trying to do. What is he doing?
43:06
We're just we need the best.
43:09
We're going to bet on talent.
43:11
And Bruce Springsteen talks about this time in Jimmy's life.
43:12
People become successful and they get locked into the behaviors that led him to be a success.
43:17
Jimmy was very, very good at letting go of what might have made him a success to this point.
43:21
Remember, he could have just been a record producer for the rest of his life.
43:23
He's willing to shed that and to go for something else.
43:26
He is not afraid to partner with other visionary people.
43:30
Jimmy's career is based on a tremendous lack of fear of moving forward.
43:35
And then Jimmy has a meeting that changes his entire life.
43:38
Jimmy's going to describe for us the first time that he met Dr. Dre. Dr.
43:42
Dre comes into Jimmy's office to play his album, The Chronic.
43:47
The Chronic has not been released yet.
43:49
It would go down to be one of the greatest hip-hop albums of all time.
43:52
And this is how Jimmy described it.
43:54
It was one of the greatest recordings I'd ever heard.
43:55
Dre's music is not like anybody else's.
43:58
Dre's sonics were far superior to any rock or hip-hop record being made.
44:04
It sounded better than anything else on my speakers.
44:06
So I asked Dre, "Who produced this?" He said, "Me."
44:11
I said, "Yeah, but who engineered this?" He said, "Me. I'll never forget it."
44:16
I said, "This guy will define Innercope."
44:18
And I said to Suge, he's Dre's in this meeting with Jimmy, with Suge Knight and Dr. Dre.
44:22
And so I said to Suge Knight and Dr.
44:24
Dre, give me three weeks.
44:25
They had all these uh like lawsuits that were getting in the way of them releasing the music.
44:29
So he said, so I said to Suge and Dre, "Give me three weeks and I can clear up all these lawsuits.
44:34
If you guys around and go to a bunch of different labels, I'm going to hear about it and I'm going to bounce."
44:39
But they kept their word.
44:39
This is the beginning of this three decade long, maybe even longer now, uh, partnership that that Dr. Dre and Jimmy have.
44:49
Not only going to make some of the greatest music, Intercope is going to be a amazing success, but obviously it culminates in them starting a company together because eventually he gets tired of running a record label, too.
44:57
He's like, I want to build business as my artist.
44:58
They wind up selling that business for that's how they become billionaires.
45:01
Uh they sell it to like three for three billion to to Apple.
45:03
But I want to go back to the early days of Innercope because we're still in the you know the early to mid 90s.
45:07
And there's a lot of other startup record labels at the time and yet Inner Scope was an outlier.
45:14
And they they talk about like what some of the reasons that Innercope was successful versus like the the other start uh record labels at the time.
45:20
And he says Jimmy was an animal, the most driven and brilliant person at the same time. He was never off.
45:26
and he didn't understand why everybody else wasn't the same way.
45:31
And Jimmy was remarkably consistent from the very first time when he's working with Bruce Springsteen, John Lennon, Tom Petty, Patty Smith.
45:36
Now Gwen Stefan, they signed Gwen Stefani, No Doubt.
45:41
And I forgot No Doubt's record on Innercope sold like 17 million copies or something like that was just crazy.
45:47
But Gwen Stefani says that the feedback from Jimmy was very, very consistent. Write another song. Write another song. Write another song.
45:54
As an artist, you think you're done.
45:55
And in his mind, you're never done. Why?
45:57
Why is he giving that advice 20 years later?
45:59
Cuz he saw what Lennon did.
46:01
He saw what Bruce Springsteen did.
46:02
He saw what Tom Petty did.
46:05
I'm sure he saw what Prince was doing.
46:07
And he's also applying that relentlessness to his own craft to building the record label.
46:10
His first wife talks about this.
46:12
We knew that Jimmy's thing was going to be the thing that was going to change the world.
46:15
So, it was worth it for me to make sacrifices.
46:18
This is Jimmy on Building Inner Scope.
46:20
I was on a mission, a very, very intense mission.
46:23
Let's go to another brilliant idea that Jimmy I had.
46:29
The fact that you should be optimizing for long-term relationships.
46:31
There was so many people trying to screw over Dr. Dre.
46:37
Jimmy could have been just another guy in the long line of people trying to screw him over.
46:40
Hey, I'm going to, you know, put him into a bad deal.
46:41
I'm going to make all this money on The Chronic, you know, which is going to be obviously if you listen to it, it's going to be a great album. But what?
46:46
You make a couple million dollars more by screwing over a guy and then you lose out on that relationship.
46:51
the relationship that one you're close friends and will make you billions and billions and billions of dollars 30 years into the future.
46:58
Loyalty and long-term relationships.
47:00
Loyalty and long-term relationships.
47:02
Jimmy finds his people and then just covers their back no matter what. So when Dr.
47:06
Dre has a falling out with Sug Knight over Death Row Records, he's like, I got to get out of here, man.
47:09
I like I want to start my own record label.
47:12
Jimmy immediately goes, cool, let's do it.
47:14
What do you want to name it? Aftermath Records. Okay, done.
47:15
And so Dre is going to own 50% and Innercope is going to own 50%. Now, talk about loyalty.
47:22
It's really easy to be loyal when everything's going right.
47:23
That's not what loyalty is.
47:24
Loyalty is like you're there when hits the fan.
47:26
So, everybody at this time is like, Dre is one of the best producers, you know, putting out some of the greatest albums we've ever seen, producing some of the greatest albums ever seen.
47:35
And yet, the first two albums that Dre puts on his own record label for the first time, the one that he owns, he's not partners, he's obviously partners with Jimmy, but he doesn't have like Sugar and anybody else. And they flop. Both records flop.
47:48
bad record sales means that Dre is in a lot of debt and now you have Jimmy's corporate partners through Intercope saying, "Hey, you need to get rid of this guy."
47:55
And so Jimmy says, "I was getting a lot of pressure corporately to get rid of Dre."
47:59
And I said, "Yeah, we could do that."
48:00
And then you'll save my salary as well because I'm going with him.
48:04
And so at one of the lowest points in his career, Jimmy helps Dre.
48:06
This is the the maxim that opportunity is a strange beast.
48:12
It frequently appears after a loss.
48:14
Dre didn't have an artist to work with.
48:16
He had no successful releases on his own label.
48:18
He didn't know what to do.
48:20
So Dre would go over to Jimmy's house and they'd have listening sessions.
48:24
Jimmy was trying to help Dre find an artist to work with.
48:26
Go back to Jimmy's niche.
48:28
I'm going to produce the producers.
48:31
So Jimmy throws in a tape.
48:31
Jimmy plays the tape and Dre says, "What the And who the is that?"
48:37
The answer to that is Eminem.
48:40
It is a demo of Eminem that Eminem handed out at the rap Olympics to someone that worked for Jimmy. Think about this.
48:47
People are telling Jimmy to ditch Dr.
48:50
Dre because he had two projects fail.
48:53
Ditch him right before Dre is going to help develop the artist that will go on to be the bestelling rap artist of all time.
49:02
Top 10 bestselling of all musicians of all time.
49:05
And so then Jimmy says one of the greatest things about this.
49:07
Great can come from anywhere.
49:08
Great can come from anywhere.
49:11
Eminem was growing up poor in a trailer park in Michigan.
49:13
And so Jimmy says, "We weren't looking for a white controversial rapper.
49:18
We were looking for great."
49:20
Again, Jimmy is very consistent. Great. Go for great.
49:23
Great talent, great products, great marketing.
49:27
And so Dre starts producing Eminem.
49:29
Eminem's first three albums are some of the bestselling, I think, the bestselling rap albums of all time.
49:32
And he's getting all kinds of attention.
49:34
And he's saying a lot of controversial things.
49:37
And so he's getting boycotted.
49:40
there's pressure on Jimmy to like police the the the lyrics.
49:41
And yet, even though throughout all this controversy the Eminem was getting at the beginning of his career, Jimmy was consistent.
49:46
He said, "Let him be him."
49:49
And it is during this time that Jimmy describes why he said that that he says my second favorite idea of his.
49:56
So, when I say that I've watched certain parts of this over 100 times, the pushing through fear and using it as a tailwind instead of a headwind was the first one. This is the second one.
50:06
I feel like I should make a poster with this quote and hang it on the wall.
50:10
And this is what Jimmy said.
50:10
I don't give a what anyone thinks.
50:13
When you're a racehorse, the reason they put blinders on these things is because if you look at the horse on the left or the horse on the right, you're going to miss a step.
50:20
That's why those horses have blinders on.
50:22
And that's what people should have.
50:24
When you're running after something, you should not look left and right.
50:27
What does this person think?
50:29
What does that person think? No. Go.
50:30
I clip that from the documentary.
50:34
It's been on my phone for years.
50:35
I just sit there and listen that over and over and over again.
50:36
It's one of the the best ideas that I've ever heard.
50:39
And the way he says it and the intensity and the passion is it's just perfect.
50:42
And so now he's going to pivot again.
50:45
He sees that the music industry is there's this unstoppable technological phenomenon.
50:49
It's going to go from selling CDs to iTunes to eventually streaming.
50:55
He says something like, you know, I don't want to be the guy that sells the last CD.
50:57
And so his next pivot is, hey, I want to build businesses with my artists, but at the same time this happens, he gets divorced.
51:06
And I think this is actually one of the most important parts for founders.
51:09
I actually had dinner with a friend last night, and a large part of our discussion was around this, the tension that he feels between the focus and drive for his work and his wife not want essentially wanting him to be just just why can't you be more normal?
51:22
And I think this part where Jimmy I's ex-wife Vicki describes exactly what it's like to be married to people like this.
51:30
And she says, "Look, this is what we married.
51:33
If you're going to say I want an ordinary husband, well then you can't marry a genius.
51:36
There's a lot of extremes because genius needs to feed itself.
51:41
It needs to make its own hours.
51:44
It needs to not talk to you when it doesn't want to talk to you.
51:45
I didn't want to get a divorce until I did."
51:47
And for Jimmy's part, he owns up to this.
51:52
This is after they were divorced.
51:52
that the interview had takes place after they were divorced.
51:54
He says, "I would imagine it'd be very hard to be married to me because I was so focused on what I was trying to accomplish."
52:00
It's one of the most difficult parts of his life.
52:03
He says, "I was frustrated with the music business.
52:05
I was frustrated with getting divorced and whenever I get sad or scared, I wish I knew some other therapeutic ways of doing things, but the only thing I know how to do is completely bury myself to the point of absurdity in my work."
52:18
Going back to what he said earlier in his career, all I knew is that if I went to the studio, my life got better.
52:24
And so he continues, I wanted to build businesses with our artists. I like to pivot.
52:28
I get complacent and bored.
52:30
I got bored of producing records.
52:32
I got bored of running a record company and I wanted to move on.
52:35
That is how Beats got started.
52:38
And so Jimmy actually goes to Dr. Dre's house in Malibu.
52:40
And Dre is telling him, "Hey, I have this offer to endorse a pair of sneakers."
52:44
And Dre wasn't sure it made any sense.
52:45
He's like, "I don't know anything about fashion.
52:47
I wear the same thing every day."
52:48
And Dre was just very selective with with what anything he'd put his name on.
52:51
By this point, he turned down dozens of endorsements.
52:52
And Jimmy's hearing him talk and he interrupts him. He goes, "Fuck sneakers. You should do speakers.
52:58
Speakers and headphones."
53:01
And then Dre says, Jimmy immediately gets up and leaves.
53:03
A few days later, Jimmy calls Dre, come to the office. Dre comes to the office.
53:07
There's a hundred different pairs of headphones with all different designs.
53:11
So again, I think this is like a microcosm of of Jimmy's entire like his his MO, how he approached his work, speed, allin, do more reps, reoccurring themes in Jimmy's life.
53:23
And so this is also the marketing genius of Jimmy I because he's talking about the positioning of the headphone uh market at the time.
53:29
He's like, "This doesn't make any sense.
53:31
The most popular one are bows, right? And what are they?
53:34
They're noise cancelling headphones."
53:36
And Jimmy says, "We don't want to put you to sleep.
53:37
We want to make you move.
53:39
We were looking at it as motivation.
53:39
We want looked at it as emotion.
53:41
We wanted to sell you something that would get you off your ass.
53:44
And so Jimmy's idea for distribution was very simple.
53:46
If we get our headphones on the best musicians and then later they do the same thing for athletes that will cause people to try them and then the great sound will get them to stay.
53:56
Again, go back to that clarity of thought that Bono mentioned was obvious about Jimmy when he met him.
54:03
And then Jimmy was absolutely relentless.
54:05
Everywhere Jimmy went he would carry the headphones with him.
54:08
every single meeting he say hey put the any sing any person he met he'd have you make you put on the headphones and then he would take a picture that is the marketing and Jimmy says I was obsessive about it Jimmy insisted that you put beats in all of your music videos and then he courted controversy Jimmy was so successful at getting athletes to wear
54:28
Beats headphones that Beats were banned from both the 2008 Olympics and the NFL because Beats wasn't one of the official sponsors again that's just another idea from history when when the the first Michael Jordan shoes, the Jordan brand shoes came out, the NBA tried to ban them, they would fine Michael for wearing them, Nike would pay the fine. That generated all this attention and I
54:49
That generated all this attention and I think they wanted to, you know, make like a couple million dollars.
54:52
I think the idea was like we're going to sell three to$4 million worth of shoes by the like the fourth year.
54:55
And I think the first year they do over 100 million. This just works.
54:58
And so in addition to making headphones, this is when Jimmy's like, "Oh, I see what's coming.
55:01
Like I don't want to be the last person to start to to sell a CD."
55:03
He starts the Beats music streaming service.
55:06
A few years after that, Apple buys both the streaming service and the headphones for $3 billion.
55:11
Now, what's fascinating about that is as he was working on the deal, he's very secretive.
55:16
So, he told Dre, "Don't move. Don't go anywhere.
55:20
This absolutely can't leak."
55:20
Obviously, Apple's known for being super secretive.
55:24
And then Dre goes into the studio one night, gets drunk with this guy named Tyrese.
55:28
Tyrese films a video of them in the studio drunk talking about the fact that Dre is now a billionaire.
55:33
And Jimmy couldn't believe it.
55:35
He was worried he was going to spike the deal wind up not spiking the deal.
55:38
But what Jimmy told people at the time about, hey, are you upset at, you know, what what Dre did.
55:45
He's like, yeah, I'm obviously upset, but again, loyalty and long-term relationships.
55:48
Jimmy said, but this is the horse I rode in with. I ride or die with Dre.
55:54
And so after a few years, he decides to pivot again, and this time he pivots into retirement. This is what he says.
55:59
I was very driven to the day that I retired and that is why I retired.
56:02
I didn't want to be driven anymore and it was a conscious thing.
56:06
Bruce Springsteen asked me, "How come you're going to retire?"
56:10
I said, "Look, man, I just left Italy with you.
56:12
80,000 people yelling Bruce, Bruce, Bruce.
56:15
Yeah, if they were yelling Jimmy, I wouldn't retire either.
56:20
But I talked to scumbags all day and I don't want to do that anymore."
56:23
And so then finally looking back on his life, he's asked, "Do you have any regrets?"
56:28
and he gives excellent, excellent advice.
56:29
So, do you have any regrets?
56:29
I don't have a rearview mirror.
56:31
With a rearview mirror, you're taking victory laps and those are a waste of time. I'm more like, let's go. What's new? What's tomorrow?
56:40
That's what I was always about.
56:42
So, I made a lot of mistakes. Who doesn't?
56:44
But I don't care about the mistakes.
56:46
I don't look at life like that.
56:48
I took the rear view mirror out of my car a long time ago.
56:54
And for me, that parting advice is just like what he said earlier.
56:56
When you're running after something, you should not look left and right.
56:59
What does this person think?
57:01
What does that person think? No.